{"id":30643,"date":"2024-11-15T12:24:35","date_gmt":"2024-11-15T13:24:35","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=30643"},"modified":"2024-11-15T16:10:02","modified_gmt":"2024-11-15T16:10:02","slug":"what-scares-you","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/what-scares-you\/","title":{"rendered":"What Scares You?"},"content":{"rendered":"<p>\u201cI am afraid. Not of life, or death, or nothingness, but of wasting it as if I had never been.\u201d<\/p>\n<p>-Daniel Keys,\u00a0<a href=\"https:\/\/www.goodreads.com\/book\/show\/18373.Flowers_for_Algernon\" target=\"_blank\" rel=\"noopener\"><em>Flowers for Algernon<\/em><\/a><\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/kati-gegenheimer\/\" target=\"_blank\" rel=\"noopener\">Kati Gegenheimer<\/a> joined us to talk about her show, <a href=\"https:\/\/www.kristenlorello.com\/kati-gegenheimer-passages\" target=\"_blank\" rel=\"noopener\"><em>Passages<\/em><\/a>, which runs until November 16 at Kristen Lorello Gallery. Each work for the show was created singularly, accumulating over time in her studio. As they came together, they began to feel like a part of something bigger \u2013 a space to move between, an excerpt, passages. That\u2019s where the title was born. To learn more about this exhibition and Gegenheimer\u2019s work, including the diaristic nature of the works in this show, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/kati-gegenheimer\/\" target=\"_blank\" rel=\"noopener\">listen to the complete interview<\/a>.<\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/michael-iveson\/\" target=\"_blank\" rel=\"noopener\">Michael Iveson<\/a> chatted with us about his show,\u00a0<a href=\"https:\/\/foreigndomestic.io\/iveson_anon_web.pdf\" target=\"_blank\" rel=\"noopener\"><em>Anon<\/em><\/a>, on view until December 5 at Foreign and Domestic Gallery. Anon refers to the characters Iveson has painted for this exhibition, all of whom appear obscured in some way. Iveson works with newspapers and magazines, using a solvent and white oil paint mixture to extract the ink from the images to use as paint. To learn more about this process, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/michael-iveson\/\" target=\"_blank\" rel=\"noopener\">listen to the complete interview<\/a>.<\/p>\n<p><strong>A few words to keep in your pocket<\/strong><\/p>\n<p>I repeat, hold on.<\/p>\n<p><strong>Outings<\/strong><\/p>\n<p>Join me at in the Financial District for <a href=\"https:\/\/www.instagram.com\/reel\/C8e66Pgytzx\/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==\" target=\"_blank\" rel=\"noopener\"><em>See Stop Run<\/em><\/a>, a survey of work by Christopher Wool.<\/p>\n<p>Interviews are <a href=\"https:\/\/www.goodreads.com\/book\/show\/124272.The_Wings_of_the_Dove\" target=\"_blank\" rel=\"noopener\">available on iTunes<\/a> as podcasts, and for Android, please click <a href=\"https:\/\/www.subscribeonandroid.com\/feeds.podcastmirror.com\/interviews-by-brainard\" target=\"_blank\" rel=\"noopener\">here<\/a>. All weekly essay pieces are <a href=\"https:\/\/blog.praxiscenterforaesthetics.com\/resources-for-artists\/\" target=\"_blank\" rel=\"noopener\">here<\/a> in a shareable format. The full archive of interviews is <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/category\/interviews\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>More books to read<\/strong><\/p>\n<p>Ours is a community of readers. Tell us what books you\u2019re reading now by adding your titles to our reading list <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/reading\/\">here<\/a>. Praxis user Bob recommends\u00a0<a href=\"https:\/\/www.goodreads.com\/book\/show\/57423801-spinoza-s-religion\" target=\"_blank\" rel=\"noopener\"><em>Spinoza\u2019s Religion: A New Reading of the Ethics<\/em><\/a> by Clare Carlisle.<\/p>\n<p><strong>Opportunities<\/strong><\/p>\n<p>Apply now for the <a href=\"https:\/\/www.studios-efanyc.org\/application-home\" target=\"_blank\" rel=\"noopener\">EFA Studio Program<\/a> offering subsidized Midtown studios, curatorial visits, and a supportive artist community. No application fee. Open to commuting artists, selected anonymously by art professionals. <a href=\"https:\/\/www.studios-efanyc.org\/application-home\" target=\"_blank\" rel=\"noopener\">Learn more at the website<\/a>. Deadline for applications is\u00a0<strong>December 1<\/strong>.<\/p>\n<p>\u00a0<\/p>\n<h6><em>Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics and is currently faculty at the School of Visual Arts in NYC. He has written seven books for artists, including <a href=\"https:\/\/www.amazon.com\/dp\/162153765X\/ref=redir_mobile_desktop?_encoding=UTF8&amp;fbclid=IwAR0m2cFPe9xHLHPOV6ZWn4LLIYT6KcNYm6pGmWSxRBQedXbFxe-n82LTyfo&amp;ref_=dp_ob_neva_mobile\" target=\"_blank\" rel=\"noopener\">Making it in the Art World<\/a>. His seventh book, <a href=\"https:\/\/www.amazon.com\/Problem-Art-World-Z-Navigation\/dp\/1621537951\" target=\"_blank\" rel=\"noopener\">The Problems in the Art World: An Artist\u2019s A-Z Action Guide<\/a>, is available now.\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI am afraid. Not of life, or death, or nothingness, but of wasting it as if I had never been.\u201d -Daniel Keys,\u00a0Flowers for Algernon Kati Gegenheimer joined us to talk about her show, Passages, which runs until November 16 at Kristen Lorello Gallery. Each work for the show was created singularly, accumulating over time in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-30643","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=30643"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30643\/revisions"}],"predecessor-version":[{"id":30644,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/30643\/revisions\/30644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=30643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=30643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=30643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}