{"id":29635,"date":"2024-08-12T16:20:16","date_gmt":"2024-08-12T16:20:16","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=29635"},"modified":"2024-08-12T17:20:39","modified_gmt":"2024-08-12T17:20:39","slug":"kejoo-park","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/kejoo-park\/","title":{"rendered":"Kejoo Park"},"content":{"rendered":"

\"\"Kejoo Park<\/a> (B.1956, Daejeon, Korea) lives and works in Frankfurt and New <\/i>York. She earned a BFA in Painting from Cornell University, studied at <\/i>Pratt Institute and The Art Students League of New York, and earned an <\/i>MLA in Landscape Architecture from Harvard University. <\/i>Kejoo Park, a Korean-American conceptual and multimedia artist, utilizes a <\/i>wide range of media, including painting, sculpture, performance, and sitespecific <\/i>installations, to explore the intricate relationships between <\/i>humanity and nature. Her work emphasizes the duality of internal and <\/i>external existence and the dynamic interplay between natural and artificial <\/i>elements. In her large-scale public art projects, Park seamlessly integrates <\/i>diverse genres such as music, poetry, and philosophy, developing a unique <\/i>artistic language. Drawing on her studies in art and architecture, she <\/i>expands her practice to express the embodiment of both Western and <\/i>Eastern cultures.<\/i><\/p>\n

As a landscape architect, she has collaborated with numerous architects on <\/i>international competitions and projects across the globe. She also served <\/i>as an Assistant Professor of Landscape Architecture and Ecology at the <\/i>University of Stuttgart in Germany.<\/i><\/p>\n

Her work has been exhibited at Gallery Reitz, Zurich, Switzerland (2024); <\/i>Gallery Uhn, K\u00f6nigstein, Germany (2023); Galerie Anna 25, Berlin, <\/i>Germany (2023); Kunstverein Familie Montez, Frankfurt, Germany (2022); <\/i>Galerie Uhn, K\u00f6nigstein, Germany (2022); Galerie Rieder, Mu\u0308nchen, <\/i>Germany (2021); Galerie Anna 25, Berlin, Germany (2019); Galerie Rieder, <\/i>Mu\u0308nchen, Germany (2019); Galerie Artstation, Zu\u0308rich, Switzerland (2018); <\/i>Galerie Hu\u0308bner & Hu\u0308bner, Frankfurt, Germany (2018); Galerie Rieder, <\/i>Mu\u0308nchen, Germany (2017); Galerie am Hirschengraben, Zurich, <\/i>Switzerland (2017); Stadtgalerie, Bad Soden am Taunus, Germany (2017); <\/i>Galerie Anna 25, Berlin, Germany (2016); Galerie Tuttiart, Luzern, <\/i>Switzerland (2016); Galerie Hu\u0308bner & Hu\u0308bner, Frankfurt, Germany (2015); <\/i>the Permanent Collection of Pierre Soulages at the Museum Ludwig, <\/i>Koblenz, Germany (2014).<\/i><\/p>\n

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Kejoo Park, Drinking Song of the sorrow of the Earth \u2013 from the series the Song of the Earth ( Das Lied von der Erde) mixed media, 180x180cm (diptych)<\/figcaption><\/figure>\n
\"\"
Kejoo Park Landscape Rondo, 2020 Mixed media on rice paper and canvas 47.2 x 59 in<\/figcaption><\/figure>\n
\"\"
Kejoo_Park_ Homarge3 to Beuys from the Series Visible-Invisible, mixed media, 100\u00d7100<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Kejoo Park (B.1956, Daejeon, Korea) lives and works in Frankfurt and New York. She earned a BFA in Painting from Cornell University, studied at Pratt Institute and The Art Students League of New York, and earned an MLA in Landscape Architecture from Harvard University. Kejoo Park, a Korean-American conceptual and multimedia artist, utilizes a wide […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-29635","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=29635"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29635\/revisions"}],"predecessor-version":[{"id":29678,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29635\/revisions\/29678"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=29635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=29635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=29635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}