{"id":29534,"date":"2024-07-26T12:26:42","date_gmt":"2024-07-26T12:26:42","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=29534"},"modified":"2024-07-26T14:26:26","modified_gmt":"2024-07-26T14:26:26","slug":"will-you-be-heard","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/will-you-be-heard\/","title":{"rendered":"Will You Be Heard?"},"content":{"rendered":"

\u201cThe noisy man is listened to first, and then the quiet man; and since wars are noisy and violent, it may take long for the ability of quiet men to be recognized, or for their voices to be heard above the bellowing of incompetents.\u201d -Kenneth Roberts, Arundel<\/em><\/a><\/p>\n

Art, much like people, can speak in a shout or a whisper. It can make it\u2019s presence known immediately or sit quietly in waiting for the right moment. Neither of these is a liability. Anything that is worth being said and heard eventually will be. The trick is to hone the patience to wait for that moment to come, to know when it\u2019s your time and to make your message clear and strong.<\/p>\n

Nana Wolke<\/a> spoke to us about her show Breed<\/em><\/a>, which ran until July 14 at Management in NYC. A theme of surveillance runs through the work in the exhibition, playing on the concept of perspective. Wolke was curious about access as well as the exclusivity of spaces, especially post-COVID. To learn more about this show and other aspects of Wolke\u2019s artistic life, listen to the complete interview<\/a>.<\/p>\n

Raquel Rabinovich<\/a> joined us to talk about her show\u00a0Avatars<\/em><\/a>, which ran until June 15 at Hutchinson Modern. The works from 2022 continue a language in which Rabinovich has been working throughout her career. The dark works require viewers to get close to see and perceive. The intention is to invite the viewer to explore and connect beyond literal language as they know it. To learn more, listen to the complete interview<\/a>.<\/p>\n

A few words to keep in your pocket<\/strong><\/p>\n

Will you shout or whisper today?<\/p>\n

Outings <\/strong><\/p>\n

Join me for Frank Stella: Recent Sculpture March 8\u2013May 18, 2024 18 Wooster Street, New York<\/a>.<\/p>\n

Interviews are available on iTunes<\/a> as podcasts, and for Android, please click here<\/a>. All weekly essay pieces are here<\/a> in a shareable format. The full archive of interviews is here<\/a>.<\/p>\n

More books to read<\/strong><\/p>\n

Ours is a community of readers. Tell us what books you\u2019re reading now by adding your titles to our reading list here<\/a>. Praxis member Kathleen is reading The Mythology of Sex<\/em><\/a> by Sarah Dening.<\/p>\n

Opportunities<\/strong><\/p>\n

The Prisma Art Prize<\/a> promotes emerging painters and visual artists, aiming to explore the diverse possibilities in contemporary painting. Our mission is to answer the question: what does painting mean today? We focus on inclusive research and support for artists from various cultural and educational backgrounds. For more information and to enter, visit the website<\/a>. Deadline is\u00a0August 3<\/strong>.<\/p>\n

\u00a0<\/p>\n

Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics and is currently faculty at the School of Visual Arts in NYC. He has written seven books for artists, including Making it in the Art World<\/a>. His seventh book, The Problems in the Art World: An Artist\u2019s A-Z Action Guide<\/a>, is available now.\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"

\u201cThe noisy man is listened to first, and then the quiet man; and since wars are noisy and violent, it may take long for the ability of quiet men to be recognized, or for their voices to be heard above the bellowing of incompetents.\u201d -Kenneth Roberts, Arundel Art, much like people, can speak in a […]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-29534","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=29534"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29534\/revisions"}],"predecessor-version":[{"id":29535,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29534\/revisions\/29535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=29534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=29534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=29534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}