{"id":29187,"date":"2024-05-24T11:19:35","date_gmt":"2024-05-24T11:19:35","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=29187"},"modified":"2024-05-24T13:10:41","modified_gmt":"2024-05-24T13:10:41","slug":"are-you-ready-for-the-future","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/are-you-ready-for-the-future\/","title":{"rendered":"Are You Ready For The Future?"},"content":{"rendered":"

\u201cNothing stops an Idea.\u201d -Andri Sn\u00e6r Magnason,\u00a0LoveStar: A Novel<\/em><\/a><\/p>\n

As the world moves swiftly toward an increasingly automated future, with AI storming into view everywhere from writing to art, politics to cinema and beyond, what might things look like a decade down the road or even beyond? Will we reach a time, like the one in\u00a0LoveStar<\/em>, when absolutely everything \u2013 including love \u2013 is carefully calculated? Will we begin distrusting our instincts in favor of rigid evidence in all things? What might this world look like, and would you want to live in it?<\/p>\n

Polly Shindler<\/a> spoke with us about her recent show,\u00a0Windows<\/em><\/a>, which ran until May 11 at Deanna Evans Projects. The title of the show \u2013 her first solo exhibition \u2013 reflects the idea of glimpsing the lives of others, small moments that create a split that forces one to consider the lives they themselves have not and will not live, the choices they have not made. To learn more, listen to the complete interview<\/a>.<\/p>\n

Andrew Castrucci\/Melvin Way<\/a>\u2014We were joined by curator Andrew Castrucci, who talked with us about CO\u2082 Blues<\/a>, an exhibition of work by the late Melvin Way at Andrew Edlin Gallery. In the late 80s, Castrucci taught art at a men\u2019s shelter, which is where he met Melvin, encouraging him with art supplies and inspiration. Melvin was a tremendous interpreter, untangling complicated works into new pieces. To learn more, listen to the complete interview<\/a>.<\/p>\n

A few words to keep in your pocket<\/strong><\/p>\n

Maybe some things should be left to the humans. Tell us what you think in the comments\u2026<\/p>\n

Outings <\/strong><\/p>\n

Join me at Electric Lady Studios and Goods for Study in Greenwich Village<\/a><\/p>\n

Interviews are available on iTunes<\/a> as podcasts, and for Android, please click here<\/a>. All weekly essay pieces are here<\/a> in a shareable format. The full archive of interviews is here<\/a>.<\/p>\n

More books to read<\/strong><\/p>\n

Ours is a community of readers. Tell us what books you\u2019re reading now by adding your titles to our reading list here<\/a>. Praxis member Martin Ireland is reading\u00a0Wreck: The Art of Being Lost at Sea<\/em><\/a> by Tom de Freston.<\/p>\n

Opportunities<\/strong><\/p>\n

McColl Center\u2019s Artist-in-Residence Program<\/a> supports artistic growth with three annual terms, offering housing, studios, guidance, a stipend, and access to labs. Artists exhibit and engage with the community. To learn more and apply, visit the website<\/a>. Deadline for applications is\u00a0June 1<\/strong>.<\/p>\n

\u00a0<\/p>\n

Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics and is currently faculty at the School of Visual Arts in NYC. He has written seven books for artists, including Making it in the Art World<\/a>. His seventh book, The Problems in the Art World: An Artist\u2019s A-Z Action Guide<\/a>, is available now.\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"

\u201cNothing stops an Idea.\u201d -Andri Sn\u00e6r Magnason,\u00a0LoveStar: A Novel As the world moves swiftly toward an increasingly automated future, with AI storming into view everywhere from writing to art, politics to cinema and beyond, what might things look like a decade down the road or even beyond? Will we reach a time, like the one […]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-29187","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=29187"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29187\/revisions"}],"predecessor-version":[{"id":29188,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/29187\/revisions\/29188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=29187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=29187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=29187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}