{"id":2890,"date":"2018-05-30T16:55:38","date_gmt":"2018-05-30T16:55:38","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/quenton-baker\/"},"modified":"2018-08-20T06:39:01","modified_gmt":"2018-08-20T06:39:01","slug":"quenton-baker","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/quenton-baker\/","title":{"rendered":"Quenton Baker"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-7757 alignleft\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/Baker_Headshot_Web-300x281.jpg\" alt=\"\" width=\"300\" height=\"281\" data-recalc-dims=\"1\" \/>Quenton Baker is a poet and educator from Seattle. His current focus is anti-blackness and the afterlife of slavery. His work has appeared in <em>Jubilat, Vinyl, Apogee, Pinwheel, The James Franco Review, <\/em>and<em> Cura. <\/em><\/p>\n<p>He is a two-time Pushcart Prize nominee and the recipient of the 2016 James W. Ray Venture Project award and the 2018 Arts Innovator Award from Artist Trust. He is the author of <a href=\"http:\/\/a.co\/agZvEiI\"><em>This Glittering Republic<\/em> <\/a>(Willow Books, 2016).<\/p>\n<p><a href=\"http:\/\/a.co\/agZvEiI\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7758\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-683x1024-1.jpg\" alt=\"\" width=\"640\" height=\"960\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi.jpg 683w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-1.jpg 200w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-2.jpg 768w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-3.jpg 696w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-4.jpg 1068w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-5.jpg 280w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/TGR_front_cover_72dpi-6.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-7759\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/Baker_Diglossic_Web-3.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/Baker_Diglossic_Web.jpg 500w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/Baker_Diglossic_Web-1.jpg 300w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2018\/05\/Baker_Diglossic_Web.jpg?resize=80%2C60&amp;ssl=1 80w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2018\/05\/Baker_Diglossic_Web-2.jpg 265w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quenton Baker is a poet and educator from Seattle. His current focus is anti-blackness and the afterlife of slavery. His work has appeared in Jubilat, Vinyl, Apogee, Pinwheel, The James Franco Review, and Cura. He is a two-time Pushcart Prize nominee and the recipient of the 2016 James W. Ray Venture Project award and the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2905,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-2890","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=2890"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2890\/revisions"}],"predecessor-version":[{"id":2906,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2890\/revisions\/2906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/2905"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=2890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=2890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=2890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}