{"id":28878,"date":"2024-05-01T19:25:05","date_gmt":"2024-05-01T19:25:05","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=28878"},"modified":"2024-05-01T20:15:29","modified_gmt":"2024-05-01T20:15:29","slug":"marianne-nielsen","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/marianne-nielsen\/","title":{"rendered":"Marianne Nielsen"},"content":{"rendered":"

\"\"A scientific-like methodology and an interest in the phenomena of the very obvious and the banal, (and often overlooked,) define Marianne Nielsen\u2019s ceramic works.<\/a> She strives to obtain a visual understanding of what is commonplace, the minutia that surrounds us. How do we perceive hairstyles? How and why does a form become iconic in our common language? For instance the profile and nature of a mountain? What do we read into the shape and color? In flowers? In her works, it is neither the figuration nor narration, as such, that are in focus; instead, it is our own experience and discernment of the subject that is being investigated. Nielsen places our stylistic concepts under a magnifying glass, revealing our re-fashioning of nature into artifice via design and use of color.We become witnesses to a kind of form-grammatical development, as in her close reading and depiction of plant structures. It is not a scientific botanical dissection in a lab, but rather a creation of visual form and rhythm, and interpretation and an ornament.<\/p>\n

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A scientific-like methodology and an interest in the phenomena of the very obvious and the banal, (and often overlooked,) define Marianne Nielsen\u2019s ceramic works. She strives to obtain a visual understanding of what is commonplace, the minutia that surrounds us. How do we perceive hairstyles? How and why does a form become iconic in our […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-28878","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=28878"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28878\/revisions"}],"predecessor-version":[{"id":28920,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28878\/revisions\/28920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=28878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=28878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=28878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}