{"id":28422,"date":"2024-03-29T12:03:48","date_gmt":"2024-03-29T13:03:48","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=28422"},"modified":"2024-03-29T15:21:40","modified_gmt":"2024-03-29T15:21:40","slug":"what-arent-you-doing","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/what-arent-you-doing\/","title":{"rendered":"What Aren\u2019t You Doing?"},"content":{"rendered":"

\u201cIt\u2019s tomorrow, and tomorrow, and tomorrow. It\u2019s the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.\u201d -Zevin Gabrielle,\u00a0Tomorrow, and Tomorrow, and Tomorrow<\/em><\/a><\/p>\n

Do you put off what you could be doing today, believing that tomorrow is guaranteed? Although we are all aware that our time is finite, it\u2019s difficult to internalize that sometimes, to really believe that one day will be our last. Imagine that day is today. What do you wish you\u2019d done? Are there things you\u2019re putting off now that you would be regretful to let go of in the end? It may sound cliche \u2013 but cliches often are born of profound wisdom \u2013 don\u2019t wait.<\/p>\n

Tom Burckhardt<\/a> chatted with us about his show, Ulterior Motif<\/em><\/a>, running through April 6 and George Adams Gallery. The title, of course, hints at the phrase ulterior motive, which Burckhardt admits is \u201ckind of a dad joke.\u201d On a deeper level, the paintings in the show have quite a lot of motifs making them on one level abstract paintings, but also speak to his interest in the idea that a line in a painting has no conscious ability to know it\u2019s being laid down but can suddenly snap into place as something depictive. To learn more, listen to the complete interview<\/a>.<\/p>\n

Mathieu Malouf<\/a> spoke with us about his show,\u00a0Women and Penguins<\/em><\/a>, which closed an extended run at Nahmad Contemporary on March 20. After attempting to not have a title, it was decided to simply name the show with the lowest degree of fanfare by simply describing the figures that appear in the work. To learn more, listen to the complete interview<\/a>.<\/p>\n

A few words to keep in your pocket <\/strong><\/p>\n

What will you do right now?<\/p>\n

Outings<\/strong><\/p>\n

Join me at SVA Chelsea Gallery presented by BFA Fine Arts\u00a0From Nature to Culture<\/em><\/a><\/p>\n

Interviews are available on iTunes as podcasts, and for Android, please click here. All weekly essay pieces in a shareable format are here<\/a>. The full archive of interviews is here<\/a>.<\/p>\n

More books to read<\/strong><\/p>\n

Ours is a community of readers. Tell us what books you\u2019re into these days by adding your titles to our reading list here<\/a>. Praxis member Rosemarie Sturgill is reading 1000 Years of Joys and Sorrows: A Memoir<\/em><\/a> by Ai Weiwei.<\/p>\n

Opportunities<\/strong><\/p>\n

Latinx Project<\/a> announces a new Artist-in-Residence cycle for emerging and mid-career US artists. Selected artists showcase solo exhibitions on campus with curatorial support. For more information and to apply, visit the website<\/a>. Deadline is April 15<\/strong>.<\/p>\n

Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics and is currently faculty at the School of Visual Arts in NYC. He has written six books for artists, most recently Making it in the Art World<\/a>. He also has a new book coming out in the Spring of 2024, The Problems in the Art World: An Artist\u2019s A-Z Action Guide<\/a>, which is available for preorder<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cIt\u2019s tomorrow, and tomorrow, and tomorrow. It\u2019s the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.\u201d -Zevin Gabrielle,\u00a0Tomorrow, and Tomorrow, and Tomorrow Do you put off what you could be doing today, believing that tomorrow is guaranteed? Although […]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-28422","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=28422"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28422\/revisions"}],"predecessor-version":[{"id":28423,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/28422\/revisions\/28423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=28422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=28422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=28422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}