{"id":27801,"date":"2024-01-31T17:40:21","date_gmt":"2024-01-31T18:40:21","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=27801"},"modified":"2024-01-31T19:18:09","modified_gmt":"2024-01-31T19:18:09","slug":"andrew-edlin","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/andrew-edlin\/","title":{"rendered":"Andrew Edlin"},"content":{"rendered":"<figure id=\"attachment_14396\" aria-describedby=\"caption-attachment-14396\" style=\"width: 236px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14396\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/01\/AEAEG.jpg?resize=236%2C157&amp;ssl=1\" alt=\"\" width=\"236\" height=\"157\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/AEAEG-scaled-9.jpg 1392w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14396\" class=\"wp-caption-text\">Andrew Edlin<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.edlingallery.com\/\">Andrew Edlin<\/a>, Director of Andrew Edlin Gallery and owner of the <a href=\"https:\/\/www.outsiderartfair.com\/\">Outsider Art Fair<\/a> talks about the current show at the gallery and the upcoming fair.<\/p>\n<p><a href=\"https:\/\/www.edlingallery.com\/exhibitions\/unaccompanied-conversations\">Unaccompanied Conversations<\/a> explores the work of three artists: the now acclaimed Outsider James Castle, Pearl Blauvelt, and John Byam, all of whom were untrained and from modest circumstances, yet developed unique approaches to their art using unconventional materials. And they all devoted their lives to their art in the face of little or no market support.<\/p>\n<p>Besides their exceptional talent, these artists all shared traits of neurodiversity. They did not process information the way most people do, or hold \u201cnormal\u201d conversations, even the banal\u2014like commenting on the weather. But viewing the works of Castle, Blauvelt, and Byam can be like overhearing the conversations, often deep, sometimes funny, frequently intense, but always unusual, that have played out in the artists\u2019 minds.<\/p>\n<p>Since people who exhibit a range of divergent characteristics are often deemed intentionally antisocial, the talents of the neurodivergent have often been overlooked. Because of their inability to verbally articulate what they mean, interactions can be strained, leading to fear, misunderstanding, shunning, and pejorative labels.<\/p>\n<figure id=\"attachment_14397\" aria-describedby=\"caption-attachment-14397\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-14397 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track.jpeg?resize=696%2C659&amp;ssl=1\" alt=\"\" width=\"696\" height=\"659\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-5.jpeg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Cars-on-sloped-track-scaled-9.jpeg 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14397\" class=\"wp-caption-text\">James Castle (1899 \u2013 1977) Untitled (Cars on sloped track), n.d. Soot, spit, and stick-applied color washes on found wax-coated cardboard 10.25 x 10.75 inches.<\/figcaption><\/figure>\n<figure id=\"attachment_14398\" aria-describedby=\"caption-attachment-14398\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14398 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/01\/Untitled-camera.jpeg?resize=696%2C599&amp;ssl=1\" alt=\"\" width=\"696\" height=\"599\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-5.jpeg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-camera-scaled-9.jpeg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14398\" class=\"wp-caption-text\">John Byam (1929 \u2013 2013) Untitled (camera), n.d. Wood, glue and sawdust 7 x 7 x 2.5 in.<\/figcaption><\/figure>\n<figure id=\"attachment_14399\" aria-describedby=\"caption-attachment-14399\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14399 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2024\/01\/Untitled-Photographer.jpeg?resize=696%2C532&amp;ssl=1\" alt=\"\" width=\"696\" height=\"532\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-1.jpeg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-2.jpeg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-3.jpeg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-4.jpeg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-5.jpeg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-6.jpeg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-7.jpeg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-8.jpeg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2024\/01\/Untitled-Photographer-scaled-9.jpeg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14399\" class=\"wp-caption-text\">Pearl Blauvelt (1893 \u2013 1987) Untitled (Photographer), c. 1940\u2019s Graphite and colored pencil on notebook paper 8.5 x 11 inches.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Andrew Edlin Andrew Edlin, Director of Andrew Edlin Gallery and owner of the Outsider Art Fair talks about the current show at the gallery and the upcoming fair. Unaccompanied Conversations explores the work of three artists: the now acclaimed Outsider James Castle, Pearl Blauvelt, and John Byam, all of whom were untrained and from modest [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-27801","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/27801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=27801"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/27801\/revisions"}],"predecessor-version":[{"id":27843,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/27801\/revisions\/27843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=27801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=27801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=27801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}