{"id":26054,"date":"2023-09-10T15:45:52","date_gmt":"2023-09-10T15:45:52","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=26054"},"modified":"2023-09-10T16:12:53","modified_gmt":"2023-09-10T16:12:53","slug":"will-pappenheimer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/will-pappenheimer\/","title":{"rendered":"Will Pappenheimer"},"content":{"rendered":"<div><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-14006 alignleft\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge.jpg?resize=300%2C225&amp;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-1.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-2.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Bio_Pic_WP_BBridge-scaled-9.jpg 1392w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><a href=\"http:\/\/www.willpap-projects.com\/\">Will Pappenheimer<\/a> is a Brooklyn based artist and educator working in new media, performance and installation. His current work explores the collage of the virtual and physical worlds in the recent mediums of augmented or mixed reality and artificial intelligence. He was a founding member of the augmented reality (AR) collective, Manifest.AR, formed in 2011, which pioneered interventionist projects worldwide. His projects and performances have been shown internationally at Whitney Museum of American Art, the New Museum and the Moving Image Art Fair in New York; LACMA and Fringe Exhibitions, Los Angeles; MOMA and Bitforms Gallery in San Francisco; Stedelijk Museum in Amsterdam; FACT, Liverpool, UK; Contemporary Istanbul Art Fair, Istanbul; the ICA, CyberArts Gallery and the Museum of Fine Arts in Boston; the Corcoran Gallery of Art in Washington. He recently debuted a solo show of new at the Alpha Gallery in Boston. His works have been reviewed in the Whitney Museum curator, Christiane Paul\u02bcs historical editions of \u201cDigital Art,\u201d Art in America, New York Times, <a href=\"http:\/\/hyperallergic.org\/\">Hyperallergic.org<\/a>, WIRED, the Boston Globe, and EL PAIS, Madrid.<\/div>\n<div><\/div>\n<div>\n<figure id=\"attachment_14009\" aria-describedby=\"caption-attachment-14009\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-14009 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-5.jpg\" alt=\"\" width=\"696\" height=\"392\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Beacon_Hands-for_Emma_Lazarus_Still2-8.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14009\" class=\"wp-caption-text\">Beacon Hands : for Emma Lazarus, 2022, Will Pappenheimer with choreography by Freya Bj\u00f6rg Olafson, an animated AR alternative monument for the statue of Bavaria, in Munich, GDR for public installations #MakeUsVisible x denkFEmale Munich GDR organized by the XREnsemble<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure id=\"attachment_14007\" aria-describedby=\"caption-attachment-14007\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-14007 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-5.jpg\" alt=\"\" width=\"696\" height=\"696\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-7.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-8.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/65-Isa-Genzken-flooded-moldy-solarium-copy-9.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14007\" class=\"wp-caption-text\">#65 Flooded and Moldy Rooms After Artists: After Isa Genzken, 2023-07-21 09.31.53, artificial intelligence text prompt image generation, Instagram digital image, inkjet print 40\u201d x 40\u201d, alternatively signed \u201cnoOne\u201d to indicate collective and auto-computational processes of authorship<\/figcaption><\/figure>\n<figure id=\"attachment_14008\" aria-describedby=\"caption-attachment-14008\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-14008 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr.jpg?resize=696%2C522&amp;ssl=1\" alt=\"\" width=\"696\" height=\"522\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/09\/Mirrored_Lines_Painter_iidrr-scaled-9.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-14008\" class=\"wp-caption-text\">Mirrored Lines Painter, Will Pappenheimer, 2021+, Custom Augmented Reality, AR app on IPad Pro, performance documentation still at the :iidrr Gallery for the \u201c404error\u201d show, curated by Natasha Chuk June 16 \u2013 July 16, 2023<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Will Pappenheimer is a Brooklyn based artist and educator working in new media, performance and installation. His current work explores the collage of the virtual and physical worlds in the recent mediums of augmented or mixed reality and artificial intelligence. He was a founding member of the augmented reality (AR) collective, Manifest.AR, formed in 2011, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-26054","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/26054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=26054"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/26054\/revisions"}],"predecessor-version":[{"id":26095,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/26054\/revisions\/26095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=26054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=26054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=26054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}