{"id":25936,"date":"2023-09-01T11:37:01","date_gmt":"2023-09-01T11:37:01","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=25936"},"modified":"2023-09-01T12:13:33","modified_gmt":"2023-09-01T12:13:33","slug":"utter","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/utter\/","title":{"rendered":"Utter"},"content":{"rendered":"

\u201cWords act as compass; place-speech serves literally to en-chant the land \u2013 to sing it back into being, and to sing one\u2019s being back into it.\u201d -Robert MacFarlane,\u00a0Landmarks<\/em><\/a><\/p>\n

Art \u2013 very often \u2013 communicates without words. It is language rendered visually, a dialogue with the world through images, sculpture, movement, myriad media to convey something from deep inside. We can think of art as a vernacular perhaps, a separate communication that guides, informs, educates, implies\u2026<\/p>\n

Tanya Minhas<\/a> sat down to talk about her background as well as her work that appeared in a group show at Winston W\u00e4chter<\/a> until September 1. Minhas holds a Ph.D. in classical Persian poetry, an interest that stems from her childhood in Pakistan. In her process, before she paints, she writes about what she is working on, pulling a pattering from her writing that she translates into the work. To hear more about her process as well as the pieces in the gallery show, listen to the complete interview<\/a>.\u00a0<\/span><\/p>\n

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Sara Berman<\/a> discussed her upcoming exhibition,\u00a0No Visible Means of Support<\/em><\/a>,\u00a0at Kristin Hjellegjerde Gallery in West Palm Beach. The title came about for two reasons \u2013 the first is that Berman had what she describes as a seismic year during which she came out as a lesbian, having been married with two children and from a traditional Jewish upbringing, landing her in a position where she herself had no visible means of support. The other meaning behind the exhibition\u2019s title comes from the work itself, which deals with the figure in space. To hear more, listen to the complete interview<\/a>.<\/p>\n

A few words to keep in your pocket<\/p>\n

Speak without words.<\/p>\n

Interviews are available on iTunes as podcasts, and for Android, please click here. All weekly essay pieces in a shareable format are here. The full archive of interviews is here<\/a>.<\/p>\n

Books to Read<\/p>\n

What are you reading? Add your titles to our reading list here<\/a>. Connect with the works of Robert Wasler here<\/a>.<\/p>\n

Manhattan Arts Grant<\/a> applications for 2024 are now live. In their own words:<\/p>\n

\u201cOur grants are often among the first awards an artist or group receives and can help recipients to leverage additional support from other sources. Recommendations for awards are made through a juried selection process comprising artists and arts leaders whose expertise reflects the cultural and creative diversity of Manhattan.<\/em>\u201d<\/p>\n

For more information and to apply, visit the website<\/a>. Deadline for applications is\u00a0September 12<\/strong>.<\/p>\n

\u00a0<\/p>\n

Brainard Carey is an author, artist and educator. He is the director of Praxis for Aesthetics. He has written six books for artists, most recently Making it in the Art World<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cWords act as compass; place-speech serves literally to en-chant the land \u2013 to sing it back into being, and to sing one\u2019s being back into it.\u201d -Robert MacFarlane,\u00a0Landmarks Art \u2013 very often \u2013 communicates without words. It is language rendered visually, a dialogue with the world through images, sculpture, movement, myriad media to convey something […]<\/p>\n","protected":false},"author":3,"featured_media":20433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-25936","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/25936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=25936"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/25936\/revisions"}],"predecessor-version":[{"id":25937,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/25936\/revisions\/25937"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/20433"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=25936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=25936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=25936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}