{"id":2435,"date":"2017-09-05T16:52:29","date_gmt":"2017-09-05T16:52:29","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/richard-chartier\/"},"modified":"2017-09-05T16:52:29","modified_gmt":"2017-09-05T16:52:29","slug":"richard-chartier","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/richard-chartier\/","title":{"rendered":"Richard Chartier"},"content":{"rendered":"<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6590 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi-1024x768.jpeg?resize=640%2C480\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=265%2C198&amp;ssl=1 265w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=696%2C522&amp;ssl=1 696w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=1068%2C801&amp;ssl=1 1068w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?w=1280&amp;ssl=1 1280w, https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/portrait_pink_2016_300dpi.jpeg?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\"><figcaption class=\"wp-caption-text\">Richard Chartier, photo by Robert Eckhardt<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.richardchartier.bandcamp.com\/\">Richard Chartier<\/a> is considered one of the key figures in the field of sound art described as &ldquo;microsound&rdquo; and Neo-Modernist. Chartier&rsquo;s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.<\/p>\n<p>Chartier&rsquo;s critically acclaimed sound works have been published since 1998 on a variety of labels internationally. He has collaborated with noted composer William Basinski, sound artists ELEH, CoH, Robert Curgenven, Taylor Deupree, AGF, Yann Novak, and German electronic music pioneer Asmus Tietchens. In installation form he has created works with multimedia artists Evelina Domnitch and Dmitry Gelfand, visual artist Linn Meyers, and projected light artist Anthony McCall. Under his <a href=\"http:\/\/www.pinkcourtesyphone.com\/\">Pinkcourtesyphone<\/a> alias he has collaborated with the likes of Cosey Fanni Tutti, Kid Congo Powers, harpist Gwyneth Wentink, AGF, and Evelina Domnitch.<\/p>\n<p>Chartier&rsquo;s sound works\/installations have been presented in galleries and museums internationally and he has performed his work live across Europe, Japan, Australia, and North America. In 2000 he formed the <a href=\"http:\/\/www.lineimprint.com\/\">recording label LINE<\/a> exploring the aesthetics of contemporary and digital minimalism.<\/p>\n<p>The book mentioned in the interview was &lsquo;Art Sex Music&rsquo; by <a href=\"http:\/\/www.coseyfannitutti.com\/\">Cosey Fanni Tutti<\/a> (Faber &amp; Faber, 2017)<\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6591 size-large\" src=\"https:\/\/i2.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1-1024x853.jpg?resize=640%2C533\" alt=\"\" width=\"640\" height=\"533\" srcset=\"https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=1024%2C853&amp;ssl=1 1024w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=300%2C250&amp;ssl=1 300w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=768%2C640&amp;ssl=1 768w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=696%2C580&amp;ssl=1 696w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=1068%2C890&amp;ssl=1 1068w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?resize=504%2C420&amp;ssl=1 504w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/PCPLP001-1.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\"><figcaption class=\"wp-caption-text\">&lsquo;A Ravishment of Mirror&rsquo; (deluxe reissue) by Pinkcourtesyphone out Sept 1, 2017 on Thoughtforms Music, UK<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6592 size-large\" src=\"https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv-1024x1024.jpg?resize=640%2C640\" alt=\"\" width=\"640\" height=\"640\" srcset=\"https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=696%2C696&amp;ssl=1 696w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=1068%2C1068&amp;ssl=1 1068w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?resize=420%2C420&amp;ssl=1 420w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/09\/ash-123_glossv.jpg?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\"><figcaption class=\"wp-caption-text\">&ldquo;Removed&rsquo; by Richard Chartier on Ash International, UK, 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Richard Chartier, photo by Robert Eckhardt Richard Chartier is considered one of the key figures in the field of sound art described as &ldquo;microsound&rdquo; and Neo-Modernist. Chartier&rsquo;s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself. Chartier&rsquo;s critically acclaimed sound works have been [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-2435","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=2435"}],"version-history":[{"count":0,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2435\/revisions"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=2435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=2435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=2435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}