{"id":24307,"date":"2023-03-24T17:10:41","date_gmt":"2023-03-24T18:10:41","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=24307"},"modified":"2023-03-24T18:12:51","modified_gmt":"2023-03-24T18:12:51","slug":"charles-atlas","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/charles-atlas\/","title":{"rendered":"Charles Atlas"},"content":{"rendered":"
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photograph by Lori E. Seid<\/figcaption><\/figure>\n

Charles Atlas<\/a> was born in St. Louis, MO in 1949; he has lived and worked in New York City since the early 1970s. Recent solo exhibitions include The Mathematics of <\/em>Consciousness, a 100-foot long video installation commissioned by Pioneer Works, Brooklyn, NY, and supported by a grant from the VIA Art Fund; Charles Atlas: Ominous, Glamorous, Momentous, Ridiculous, <\/em>Fondazione ICA Milano, Italy; and Charles Atlas: The past is here, the futures are coming <\/em>and The Kitchen Follies, <\/em>The Kitchen, New York.<\/p>\n

In 2017, the Hammer Museum, Los Angeles acquired Atlas\u2019 five-channel video installation with sound entitled The Tyranny of Consciousness, <\/em>which won a prize in Viva Arte Viva, <\/em>the 57th<\/sup> International Art Exhibition of the Venice Biennial. In September 2019, Atlas unveiled The Geometry of Thought, <\/em>a new commission for Art on theMART that spanned across the 2.5 acre river fac;:ade of theMART in Chicago.Atlas\u2019 work is included in the permanent collections of major institutions worldwide, including the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Art Institute of Chicago; San Francisco Museum of Art; Tate Modern, London; Centre Georges Pompidou, Paris; Hamburger Bahnhof \u2013 Museum fur Gegenwart, Berlin; Migros Museum fur Gegenwartskunst, Zurich; and De Hallen Haarlem, The Netherlands.<\/p>\n

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Charles Atlas, A Prune Twin, 2020, Eight-channel video installation with four monitors, with sound, Dimensions variable, Installation view Luhring Augustine Chelsea, New York (January 28 \u2013 March 11, 2023). \u00a9 Charles Atlas; Courtesy of the artist and Luhring Augustine, New York. Photo: John Berens.<\/figcaption><\/figure>\n
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Charles Atlas, A Prune Twin, 2020, Eight-channel video installation with four monitors, with sound, Dimensions variable, Installation view Luhring Augustine Chelsea, New York (January 28 \u2013 March 11, 2023). \u00a9 Charles Atlas; Courtesy of the artist and Luhring Augustine, New York. Photo: John Berens.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

photograph by Lori E. Seid Charles Atlas was born in St. Louis, MO in 1949; he has lived and worked in New York City since the early 1970s. Recent solo exhibitions include The Mathematics of Consciousness, a 100-foot long video installation commissioned by Pioneer Works, Brooklyn, NY, and supported by a grant from the VIA […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-24307","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/24307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=24307"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/24307\/revisions"}],"predecessor-version":[{"id":24336,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/24307\/revisions\/24336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=24307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=24307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=24307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}