{"id":23902,"date":"2023-03-01T19:27:45","date_gmt":"2023-03-01T20:27:45","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=23902"},"modified":"2023-03-01T21:24:16","modified_gmt":"2023-03-01T21:24:16","slug":"lexi-bishop","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/lexi-bishop\/","title":{"rendered":"Lexi Bishop"},"content":{"rendered":"

\"\"Lexi Bishop received a Bachelor of Arts degree in Art History and Russian Language from Bryn Mawr College, and a Master\u2019s degree in The History of Art and The Art Market: Modern & Contemporary Art from Christie\u2019s Education. Prior to opening\u00a0here<\/a> <\/strong>in 2020, Lexi was Associate Director of Nino Mier Gallery, Los Angeles. From 2014 to 2019, she worked in the Post-War & Contemporary Art department of Christie\u2019s Auction House, New York as a specialist.<\/p>\n

Before joining Christie\u2019s in 2014, she worked for Kim Heirston Art Advisory and at the Brant Foundation Art Study Center in Greenwich, CT.<\/p>\n

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Installation view of \u2018Tara Fay Coleman: Marginalia.\u2019 Image: Sean Eaton.<\/figcaption><\/figure>\n
\"\"
Tara Fay Coleman iPhone Note (#1), 2022 screen print on paper 40 x 26 in. (101.6 x 66 cm.) Edition of 3 plus 1 artist\u2019s proof.<\/figcaption><\/figure>\n
\"\"
Tara Fay Coleman iPhone Note (#2), 2022 screen print on paper 40 x 26 in. (101.6 x 66 cm.) Edition of 3 plus 1 artist\u2019s proof.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Lexi Bishop received a Bachelor of Arts degree in Art History and Russian Language from Bryn Mawr College, and a Master\u2019s degree in The History of Art and The Art Market: Modern & Contemporary Art from Christie\u2019s Education. Prior to opening\u00a0here in 2020, Lexi was Associate Director of Nino Mier Gallery, Los Angeles. From 2014 […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-23902","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/23902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=23902"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/23902\/revisions"}],"predecessor-version":[{"id":23944,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/23902\/revisions\/23944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=23902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=23902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=23902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}