{"id":2354,"date":"2017-09-02T23:19:52","date_gmt":"2017-09-02T23:19:52","guid":{"rendered":"http:\/\/thebirthofeverything.com\/authorsite\/natasha-stagg-part-2\/"},"modified":"2018-08-20T01:24:13","modified_gmt":"2018-08-20T01:24:13","slug":"natasha-stagg-part-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/natasha-stagg-part-2\/","title":{"rendered":"Natasha Stagg, part 2"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6378 alignleft\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-07-05-at-11.47.36-PM-200x300.png\" alt=\"\" width=\"200\" height=\"300\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-07-05-at-11.47.36-PM.png 200w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-07-05-at-11.47.36-PM-1.png 281w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/Screen-Shot-2017-07-05-at-11.47.36-PM-2.png 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" data-recalc-dims=\"1\" \/><a href=\"http:\/\/natashastagg.com\/\">Natasha Stagg<\/a> is a writer who is living in Brooklyn and working on her second novel. Her first, Surveys, was published by Semiotext(e) in 2016.<\/p>\n<p>The first part of this interview <a href=\"http:\/\/museumofnonvisibleart.com\/interviews\/natasha-stagg\/\">can be heard here<\/a>.<\/p>\n<p>She has worked as an editor at V magazine and as a freelance writer for other magazines, like DIS, 032c, Dazed &amp; Confused, Texte Zur Kunst, Spike Art Quarterly, and CR Fashion Book.<\/p>\n<p>Her fiction and essays have appeared in the book The Present in Drag, Flash Art International&rsquo;s Fiction Issue, and independent publishing projects Have Not and Logue.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6379\" src=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/img_0002web.jpg\" alt=\"\" width=\"640\" height=\"478\" srcset=\"http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/img_0002web-1.jpg 529w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/img_0002web-2.jpg 300w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/07\/img_0002web.jpg?resize=80%2C60&amp;ssl=1 80w, http:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/09\/img_0002web-3.jpg 265w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Natasha Stagg is a writer who is living in Brooklyn and working on her second novel. Her first, Surveys, was published by Semiotext(e) in 2016. The first part of this interview can be heard here. She has worked as an editor at V magazine and as a freelance writer for other magazines, like DIS, 032c, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-2354","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=2354"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2354\/revisions"}],"predecessor-version":[{"id":2365,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/2354\/revisions\/2365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/2364"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=2354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=2354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=2354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}