{"id":22978,"date":"2023-01-11T23:41:19","date_gmt":"2023-01-12T00:41:19","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=22978"},"modified":"2023-01-12T01:28:05","modified_gmt":"2023-01-12T01:28:05","slug":"benoi%cc%82t-plateus","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/benoi%cc%82t-plateus\/","title":{"rendered":"Benoi\u0302t Plate\u0301us"},"content":{"rendered":"<figure id=\"attachment_13320\" aria-describedby=\"caption-attachment-13320\" style=\"width: 227px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13320 size-medium\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio.png\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio-1.png 227w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio-2.png 774w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio-3.png 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio-4.png 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Benoit-Plateus-portrait-in-studio-5.png 860w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13320\" class=\"wp-caption-text\">Benoi\u0302t Plate\u0301us portrait in studio<\/figcaption><\/figure>\n<p><a href=\"https:\/\/www.signsandsymbols.art\/artists\/benoit-plateus\"><strong>Beno\u00eet Plat\u00e9us<\/strong><\/a>\u00a0(born 1972 in Li\u00e8ge, Belgium) investigates the spaces and relationships between mediums, exploring abstraction in form and content.<\/p>\n<p>Working across diverse media and techniques, he fully embraces the creative possibilities of both analogue and digital technologies in order to wrestle with the question of the original. Found images or objects often serve as a starting point for his work, and the transformation of these images and their meanings become his focus \u2014 aging, sunbleaching, saturating, enlarging, painting over, somehow modifying. Yet in spite of these efforts, traces of the original always remain in the new reproduced image, and Plat\u00e9us highlights the poetic qualities of these accidents and imperfections.<\/p>\n<p>Plat\u00e9us&#8217;s work has been exhibited at Palais de Tokyo, Paris; Mu.ZEE, Ostend; Karma, New York; Almine Rech, London; Meessen De Clercq, Brussels; CentreWallonieBruxelles (CWB), Paris; Art Sonje Center, Seoul; Galerie Albert Baronian, Brussels; Annarumma Gallery, Naples; and Galerie Jeanroch Dard, Paris, among others. He is included in several museum collections around the world, including the Fond National d\u2019Art Contemporain, France and the Mus\u00e9e d\u2019Ixelles, Belgium. In 2019, he was the subject of a mid-career retrospective\u00a0<em>One Inch Off<\/em>\u00a0at the WIELS Contemporary Art Centre in Brussels, which was accompanied by a fully illustrated catalog and later traveled to Bonner Kunstverein in Germany. In 2023, Plat\u00e9us had his second solo exhibition, <a href=\"https:\/\/www.signsandsymbols.art\/exhibitions\/other-percolators\"><em>Other Percolators<\/em><\/a> (https:\/\/www.signsandsymbols.art\/exhibitions\/other-percolators), at signs and symbols in New York.<\/p>\n<figure id=\"attachment_13322\" aria-describedby=\"caption-attachment-13322\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13322 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers.jpg\" alt=\"\" width=\"696\" height=\"770\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-1.jpg 925w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-2.jpg 271w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-4.jpg 1388w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-5.jpg 1850w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Electric-Flowers-9.jpg 2033w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13322\" class=\"wp-caption-text\">Beno\u00eet Plat\u00e9us, Electric Flowers, 2022, Oil on linen canvas, 23.625 x 20.87 inches (60 x 53 cm). \u00a9 Beno\u00eet Plat\u00e9us. Courtesy of the artist and signs and symbols, New York.<\/figcaption><\/figure>\n<figure id=\"attachment_13323\" aria-describedby=\"caption-attachment-13323\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13323 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine.jpg\" alt=\"\" width=\"696\" height=\"585\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-5.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Heiroglyph-Machine-9.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13323\" class=\"wp-caption-text\">Beno\u00eet Plat\u00e9us, Hieroglyph Machine, 2022, Oil on cotton canvas, 51.25 x 61 inches (130 x 155 cm). \u00a9 Beno\u00eet Plat\u00e9us. Courtesy of the artist and signs and symbols, New York.<\/figcaption><\/figure>\n<figure id=\"attachment_13324\" aria-describedby=\"caption-attachment-13324\" style=\"width: 696px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-13324 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools.jpg\" alt=\"\" width=\"696\" height=\"808\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-1.jpg 882w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-2.jpg 258w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-4.jpg 1323w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-5.jpg 1764w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-9.jpg 1938w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2023\/01\/Oysters-and-Tools-10.jpg 1392w\" sizes=\"auto, (max-width: 696px) 100vw, 696px\" data-recalc-dims=\"1\" \/><figcaption id=\"caption-attachment-13324\" class=\"wp-caption-text\">Beno\u00eet Plat\u00e9us, Oysters and Tools, 2022, Oil on cotton canvas, 61 x 51.25 inches (155 x 130 cm). \u00a9 Beno\u00eet Plat\u00e9us. Courtesy of the artist and signs and symbols, New York.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Benoi\u0302t Plate\u0301us portrait in studio Beno\u00eet Plat\u00e9us\u00a0(born 1972 in Li\u00e8ge, Belgium) investigates the spaces and relationships between mediums, exploring abstraction in form and content. Working across diverse media and techniques, he fully embraces the creative possibilities of both analogue and digital technologies in order to wrestle with the question of the original. Found images or [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-22978","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/22978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=22978"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/22978\/revisions"}],"predecessor-version":[{"id":23017,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/22978\/revisions\/23017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=22978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=22978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=22978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}