{"id":17973,"date":"2021-10-22T14:42:58","date_gmt":"2021-10-22T14:42:58","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=17973"},"modified":"2021-10-22T15:22:25","modified_gmt":"2021-10-22T15:22:25","slug":"christopher-kondrich","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/christopher-kondrich\/","title":{"rendered":"Christopher Kondrich"},"content":{"rendered":"
\"\"Christopher Kondrich<\/a> is the author of Valuing<\/em> (University of Georgia Press, 2019)<\/a>, selected by Jericho Brown as a winner of the National Poetry Series, by Library Journal <\/em>as a Best Poetry Book of 2019, and as a finalist for The Believer Book Award in Poetry, as well as the book-length poem Contrapuntal <\/em>(Free Verse Editions, 2013)<\/a>.<\/div>\n
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His poetry and essays appear widely in such venues as the Academy of American Poets\u2019 Poem-a-Day<\/em>, The Believer<\/em>, Bennington Review<\/em>, Conjunctions<\/em>, Harvard Review<\/em>, The Kenyon Review<\/em>, The Paris Review<\/em>, and Poetry Northwest<\/em>, and his work has been recognized with an Iowa Review Award (selected by Srikanth Reddy), The Paris-American Reading Series Prize, and four Pushcart Prize nominations. He has received fellowships from the MacDowell Colony, the Virginia Center for the Creative Arts, the I-Park Foundation, the University of Denver, and Columbia University.<\/div>\n
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During the 2021 \u2014 2022 academic year, he will be teaching creative writing at George Washington University, and will also be Writer-in-Residence at the State University of New York, New Paltz. An Associate Editor for 32 Poems<\/em>, he lives in Maryland.<\/div>\n
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Christopher Kondrich is the author of Valuing (University of Georgia Press, 2019), selected by Jericho Brown as a winner of the National Poetry Series, by Library Journal as a Best Poetry Book of 2019, and as a finalist for The Believer Book Award in Poetry, as well as the book-length poem Contrapuntal (Free Verse Editions, […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-17973","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=17973"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17973\/revisions"}],"predecessor-version":[{"id":18002,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17973\/revisions\/18002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=17973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=17973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=17973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}