{"id":17624,"date":"2021-09-24T21:23:04","date_gmt":"2021-09-24T21:23:04","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=17624"},"modified":"2021-09-24T22:16:26","modified_gmt":"2021-09-24T22:16:26","slug":"adam-zaretsky","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/adam-zaretsky\/","title":{"rendered":"Adam Zaretsky"},"content":{"rendered":"<div>\n<div><span style=\"font-family: verdana, sans-serif;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-11817 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky.jpg\" alt=\"\" width=\"190\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-1.jpg 190w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-2.jpg 647w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-4.jpg 970w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-5.jpg 1294w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-6.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-7.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-8.jpg 265w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/adamzaretsky-scaled-9.jpg 1617w\" sizes=\"auto, (max-width: 190px) 100vw, 190px\" data-recalc-dims=\"1\" \/>Dr. Adam Zaretsky of NADLinc is a nomadic Wet-Lab Art Practitioner mixing Ecology, Biotechnology, Non-human Relations, Body Performance and Gastronomy. Zaretsky stages lively, hands-on bioart production labs based on topics such as: foreign species invasion (pure\/impure), radical food science (edible\/inedible), jazz bioinformatics (code\/flesh), tissue culture (undead\/semi-alive), transgenic design issues (traits\/desires), interactive ethology (person\/machine\/non-human) and physiology (performance\/stress). A former researcher at the MIT department of biology, Adam runs labs on DIY-IGM (Do-It-Yourself Inherited Genetic Modification of the Human Genome).\u00a0His art practice focuses on an array of legal, ethical, social and libidinal implications of biotechnological materials and methods with a focus on transgenic humans,\u00a0methods of transgenesis and germline aesthetics.\u00a0<\/span><a href=\"http:\/\/artsci.ucla.edu\/node\/1128\">http:\/\/artsci.ucla.edu\/node\/1128<\/a><\/div>\n<\/div>\n<div><\/div>\n<div>What he has been reading: Genbank Online Bioinformatics Database<\/div>\n<div>meet the genome of the Dolphin Lipotes vexillifer UBE3D for fun reading:<\/div>\n<div><a href=\"https:\/\/www.ncbi.nlm.nih.gov\/gene\/?term=Lipotes+vexillifer+UBE3D\">https:\/\/www.ncbi.nlm.nih.gov\/gene\/?term=Lipotes+vexillifer+UBE3D<\/a><\/div>\n<div>Czech out the HECT_2; HECT-like Ubiquitin-conjugating enzyme (E2) binding <a href=\"https:\/\/www.ncbi.nlm.nih.gov\/nuccore\/NW_006769725.1?from=1495890&amp;to=1597813&amp;report=fasta&amp;strand=true\">FASTA<\/a><span style=\"color: #000000;\">\u00a0and\u00a0<\/span><a href=\"https:\/\/www.ncbi.nlm.nih.gov\/nuccore\/NW_006769725.1?from=1480601&amp;to=1613100&amp;report=graph&amp;content=5&amp;strand=true\">Sequence Viewer (Graphics)<\/a>\u00a0too!<\/div>\n<div><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-large wp-image-11818\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2.jpg\" alt=\"\" width=\"640\" height=\"360\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-2.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-3.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-4.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-5.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-6.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-7.jpg 747w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-8.jpg 1920w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/09\/gospha-3.2-9.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dr. Adam Zaretsky of NADLinc is a nomadic Wet-Lab Art Practitioner mixing Ecology, Biotechnology, Non-human Relations, Body Performance and Gastronomy. Zaretsky stages lively, hands-on bioart production labs based on topics such as: foreign species invasion (pure\/impure), radical food science (edible\/inedible), jazz bioinformatics (code\/flesh), tissue culture (undead\/semi-alive), transgenic design issues (traits\/desires), interactive ethology (person\/machine\/non-human) and physiology [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-17624","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=17624"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17624\/revisions"}],"predecessor-version":[{"id":17646,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17624\/revisions\/17646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=17624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=17624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=17624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}