{"id":17566,"date":"2021-09-21T21:01:12","date_gmt":"2021-09-21T21:01:12","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=17566"},"modified":"2021-09-21T21:19:53","modified_gmt":"2021-09-21T21:19:53","slug":"gina-apostle","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/gina-apostle\/","title":{"rendered":"Gina Apostle"},"content":{"rendered":"
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Photo credit: Margarita Corporan<\/figcaption><\/figure>\n

Gina Apostol’s fourth novel, Insurrecto<\/em>, was named by Publishers’ Weekly<\/em> one of the Ten Best Books of 2018 and selected as an Editor’s Choice of the NYT<\/em>. Her third book, Gun Dealers’ Daughter<\/em>,<\/a> won the 2013 PEN\/Open Book Award.<\/h4>\n

Her first two novels, Bibliolepsy<\/a> <\/em>and The Revolution According to Raymundo Mata<\/em><\/a>, both won the Juan Laya Prize for the Novel (Philippine National Book Award). She was a fellow at Civitella Ranieri in Umbria, Italy, and Emily Harvey Foundation, among others. Her essays and stories have appeared in The New York Times, Los Angeles Review of Books, Foreign Policy, Gettysburg Review, Massachusetts Review,<\/em> and others. She lives in New York City and western Massachusetts and grew up in Tacloban, Leyte, in the Philippines. She teaches at the Fieldston School in New York City.<\/h4>\n

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Photo credit: Margarita Corporan Gina Apostol’s fourth novel, Insurrecto, was named by Publishers’ Weekly one of the Ten Best Books of 2018 and selected as an Editor’s Choice of the NYT. Her third book, Gun Dealers’ Daughter, won the 2013 PEN\/Open Book Award. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-17566","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=17566"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17566\/revisions"}],"predecessor-version":[{"id":17579,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17566\/revisions\/17579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=17566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=17566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=17566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}