{"id":17183,"date":"2021-08-19T16:53:07","date_gmt":"2021-08-19T16:53:07","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=17183"},"modified":"2021-08-19T17:09:05","modified_gmt":"2021-08-19T17:09:05","slug":"traci-brimhall","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/traci-brimhall\/","title":{"rendered":"Traci Brimhall"},"content":{"rendered":"

\"\"Traci Brimhall<\/a> is the author of four poetry collections: Come the Slumberless from the Land of Nod <\/i><\/a>(Copper Canyon); Saudade <\/i>(Copper Canyon); Our Lady of the Ruins <\/i>(W.W. Norton)<\/a>, winner of the Barnard Women Poets Prize; and Rookery <\/i>(Southern Illinois University Press)<\/a>, winner of the Crab Orchard Series in Poetry First Book Award. <\/i><\/p>\n

Her poems have appeared in The New Yorker,<\/i> Poetry, The Believer, The New Republic, Orion, New York Times Magazine, <\/i>and Best American Poetry<\/i>.\u00a0 She\u2019s received fellowships from the Wisconsin Institute for Creative Writing and the National Endowment for the Arts.\u00a0 She\u2019s the Director of Creative Writing at Kansas State University and lives in Manhattan, KS.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Traci Brimhall is the author of four poetry collections: Come the Slumberless from the Land of Nod (Copper Canyon); Saudade (Copper Canyon); Our Lady of the Ruins (W.W. Norton), winner of the Barnard Women Poets Prize; and Rookery (Southern Illinois University Press), winner of the Crab Orchard Series in Poetry First Book Award. Her poems […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-17183","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=17183"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17183\/revisions"}],"predecessor-version":[{"id":17200,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17183\/revisions\/17200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=17183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=17183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=17183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}