{"id":17003,"date":"2021-07-30T15:34:12","date_gmt":"2021-07-30T15:34:12","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=17003"},"modified":"2021-07-30T16:13:23","modified_gmt":"2021-07-30T16:13:23","slug":"margret-wibmer","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/margret-wibmer\/","title":{"rendered":"Margret Wibmer"},"content":{"rendered":"

\"\"In her performances, sculptures, photographic works and video installations Margret Wibmer<\/a> explores relations between bodies, objects and spaces. Using ambiguity and the principle of chance as a methodology to deconstruct internalized processes, norms and values deeply embedded within our societies, she creates transient \u2018realities\u2019 that explore new strategies for connecting us with the world and with others. This becomes particularly apparent in her participatory performances such as Relay<\/a> where she uses choreographic elements, sound and textile props to engage the public as co-generators in her work. She frequently collaborates with dancers, composers and writers.<\/p>\n

Margret Wibmer was born in Lienz, Austria. After her studies at the University of Applied Arts in Vienna, she spent a large part of the 1980s in New York where she worked as assistant for Sol Lewitt together with Kazuko Miyamoto. Since her first exhibition at Fashion Moda in the South Bronx, she has exhibited and performed internationally in venues such as\u00a0Palais de Tokyo in Paris (2016, 2017),\u00a0RMIT Design Hub in Melbourne (2015),\u00a0Oude Kerk Amsterdam (2014, 2019),\u00a0Ishikawa Nishida Kitaro Museum of Philosophy in Japan (2013); KAI 10 \u2013 Arthena Foundation in D\u00fcsseldorf (2012), Kunstpavillon Innsbruck (2006). Her works have been featured in publications such Sony Style Magazine and Vestoy, monographies have been published by Kerber Verlag (2010) and VfmK \u2013 Verlag f\u00fcr Moderne Kunst (2020).\u00a0She has received grants from the Pollock-Krasner Foundation, Mondriaan Fonds, Prins Bernhard Cultuurfonds \/ Tijlfonds, Land Tirol, Austrian Federal Ministry for Arts and Culture among others. Her work is included in private and public collections in Europe and beyond. She lives in Amsterdam, The Netherlands and is currently teaching online at Nanyang Academy of Fine Arts in Singapore.<\/p>\n

The upcoming exhibition mentioned: Hella Berend, Margret Wibmer, \u2018Intrinsic Odity\u2019 at\u00a0LABOR Ebertplatz<\/a> in Cologne, curated by Marion Scharmann. Opening during DC Open 3 \u2013 5 September, 2021.<\/p>\n

The book mentioned in the interview: Don\u2019t cross the bridge before you get to the river<\/a>\u00a0Francis Al\u00ffs, exhibition catalog with essays by Kazuhiko Yoshizaki and Yukie Kamiya<\/p>\n

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Margret Wibmer The walze 2017 Fine art print on Hahnemu\u0308hle paper 80 x 64 cm (31 x 25 inches) Ed.5 + 1 AP<\/figcaption><\/figure>\n
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Margret Wibmer Exchange in Orbit 2012 Archival pigment print on Baryta paper mounted on dibond. In boxframe with museumglas or diasec. 100 x 110 cm (39 x 43 inches) Ed. 5 + 1 AP<\/figcaption><\/figure>\n
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left: Margret Wibmer A day in July 2005 Fabric, metal, wood 139 x 20 x 18 cm (55 x 8 x 7 inches) Unique right: Margret Wibmer Breathe \u2013 dreams may follow 2020\/2021 Fabric, aluminum Installations view: 300 x 170<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

In her performances, sculptures, photographic works and video installations Margret Wibmer explores relations between bodies, objects and spaces. Using ambiguity and the principle of chance as a methodology to deconstruct internalized processes, norms and values deeply embedded within our societies, she creates transient \u2018realities\u2019 that explore new strategies for connecting us with the world and […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-17003","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=17003"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17003\/revisions"}],"predecessor-version":[{"id":17046,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/17003\/revisions\/17046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=17003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=17003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=17003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}