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Susan L. Aberth is the Edith C. Blum Professor of the Art History and Visual Culture Program at Bard College. She received her M.A. from the Institute of Fine Arts, New York University, and her Ph.D. from the Graduate Center, City University of New York.<\/p>\n
In addition to her 2004 book Leonora Carrington: Surrealism, Alchemy and Art<\/i> (Lund Humphries), forthcoming is\u00a0 Leonora Carrington: The Tarot<\/i> (Fulgur Press, 2020) co-authored with Mexican curator Tere Arcq.\u00a0 She has contributed to Surrealism and Magic<\/i>, Guggenheim Venice (2021); Seeking the Marvelous: Ithell Colquhoun, British Women and Surrealism <\/i>(Fulgur Press, 2021), Agnes Pelton: Desert Transcendentalist <\/i>(Phoenix Art Museum, 2019), Juanita Guccione: Otherwhere<\/i> (Napa Valley Museum, 2019), Surrealism, Occultism and Politics: In Search of the Marvelous <\/i>(Routledge Press, 2018), Leonora Carrington: Cuentos Magicos <\/i>(Museo de Arte Moderno & INBA, Mexico City, 2018), Unpacking: The Marciano Collection<\/i> (Delmonico Books, Prestel, 2017), and Leonora Carrington and the International Avant-Garde<\/i> (Manchester University Press, 2017), as well as to Abraxas: International Journal of Esoteric Studies<\/i>, Black Mirror<\/i>, and Journal of Surrealism of the Americas<\/i>.<\/p>\n
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Susan L. Aberth is the Edith C. Blum Professor of the Art History and Visual Culture Program at Bard College. She received her M.A. from the Institute of Fine Arts, New York University, and her Ph.D. from the Graduate Center, City University of New York. In addition to her 2004 book Leonora Carrington: Surrealism, Alchemy […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-16846","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=16846"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16846\/revisions"}],"predecessor-version":[{"id":16889,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16846\/revisions\/16889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=16846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=16846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=16846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}