{"id":16814,"date":"2021-07-14T17:00:57","date_gmt":"2021-07-14T17:00:57","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=16814"},"modified":"2021-07-14T17:12:28","modified_gmt":"2021-07-14T17:12:28","slug":"c-finley","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/c-finley\/","title":{"rendered":"C. Finley"},"content":{"rendered":"
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Photo by Elizabeth Bick<\/figcaption><\/figure>\n

Artist and Curator of the Every Woman Biennial: C. Finley<\/a>, based in New York City and Rome, is known for her elaborate paintings and intense use of color, monumental murals, multi-disciplinary collaborations, and her activism through urban art interventions, including her acclaimed Wallpapered Dumpsters.<\/p>\n

As the creator of the 2014-2021 Every Woman Biennial<\/a> she exhibited over 1200 female and non-binary artists in New York, Los Angeles and London.<\/p>\n

The book mentioned in the interview was At Certain Points We Touch<\/a> by Lauren John Joseph.<\/p>\n

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Ecstasy of Santa Theresa 111×73.5 in acrylic on canvas 2020<\/figcaption><\/figure>\n
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Mano Divina 24x20in acrylic and gouache on canvas 2021<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Photo by Elizabeth Bick Artist and Curator of the Every Woman Biennial: C. Finley, based in New York City and Rome, is known for her elaborate paintings and intense use of color, monumental murals, multi-disciplinary collaborations, and her activism through urban art interventions, including her acclaimed Wallpapered Dumpsters. As the creator of the 2014-2021 Every […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-16814","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=16814"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16814\/revisions"}],"predecessor-version":[{"id":16845,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16814\/revisions\/16845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=16814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=16814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=16814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}