{"id":1639,"date":"2017-08-15T18:52:58","date_gmt":"2017-08-15T18:52:58","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/gluklya-natalia-pershina-yakimanskaya\/"},"modified":"2018-08-19T19:09:43","modified_gmt":"2018-08-19T19:09:43","slug":"gluklya-natalia-pershina-yakimanskaya","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/gluklya-natalia-pershina-yakimanskaya\/","title":{"rendered":"Gluklya (Natalia Pershina-Yakimanskaya)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6520 alignleft\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-300x170.png\" alt=\"\" width=\"300\" height=\"170\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image.png 300w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-1.png 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-2.png 1024w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-3.png 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-4.png 1068w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-5.png 742w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-6.png 1280w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/image-7.png 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Born in Leningrad (now St. Petersburg), <a href=\"http:\/\/www.factoryoffoundclothes.org\/\">Natalya Pershina-Yakimanskaya<\/a> (also known as <a href=\"http:\/\/www.factoryoffoundclothes.org\/\">Gluklya<\/a>) lives and works in St. Petersburg and Amsterdam.<\/p>\n<p>Shortly after graduating from the Mukhina Academy of Art and Design, she co-founded the artists&rsquo; collective The Factory of Found Clothes (FFC) with Olga Egorova (Tsaplya).<\/p>\n<p>FFC uses installations, performance, video, text and &ldquo;social research&rdquo; to develop the concept of &ldquo;fragility,&rdquo; which is not &ldquo;beauty, &rdquo; but invisible strength, the ability to see things which can be easily destroyed by the complexity of life.<\/p>\n<p>The relationships between internal and external, always complex and dramatic, became the main theme of the FFC project. In 2002, Gluklya and Tsaplya wrote the manifesto: &ldquo;The place of the artist is on the side of the weak.&rdquo; This manifesto shows an important transformation of the artists&rsquo; understanding of the &#1089;hanging social and political context in Putin&rsquo;s Russia. FFC worked together for more than 10 years and in 2012 Gluklya took over the leadership of the group which was transformed to the new project Utopian Unemployment Union.<\/p>\n<p>Gluklya is also a co-founder of the <a href=\"https:\/\/chtodelat.org\/\">Chto Delat<\/a> and an active member since 2003.<\/p>\n<p>In her projects, Gluklya continues to use conceptual clothes as a tool to build a connection between art and everyday life.&nbsp; Addressing the personal stories of her characters, she analyzes and makes visible the conflict between a person&rsquo;s inner world and the political system (as in the performance Debates of Division 2014, part of the Manifesta -10 Public program: When The Private Becomes Public&rdquo;).<\/p>\n<p>The artist&rsquo;s method of using &ldquo;clothes&rdquo; in her participatory project Museum of Moving Clothes 2012 -2015 is comparable with the idea of using the subject of &ldquo;meals&rdquo; as a tool for developing new methods of collaboration with communities outside the art world. For example in the Bijlmer project implemented jointly with an educational center, where a dialogue was established with local people.<\/p>\n<p>In her project &ldquo;Unemployment Utopian Union,&rdquo; (2012-2016) Gluklya&nbsp; constructs situations that allow encounters to take place among people from different social groups &ndash;&nbsp; illegal migrants and ballet dancers, pensioners and students, unemployed young men and women, who would not have the opportunity to meet in everyday life.&nbsp; This method encourages processes of self-organization,giving all the participants equal status&nbsp; and allows us to learn about the capacity of different minorities and marginal communities for coping with difficult life situations with the help of art.<\/p>\n<p>At the moment Gluklya is working on developing the concept of&nbsp; &laquo;Carnival of the Opressed Feelings &nbsp;&raquo; developing the idea of sharing&nbsp; her method of creation &#1057;onceptual &#1057;lothes with participants . Project supported by Mondrian Fund and last holl year until January 2017.<\/p>\n<p>Gluklya&rsquo;s work has been exhibited in Russia and abroad, including at the 56th Venice Biennale of Art, &ldquo;All the World&rsquo;s Futures,&rdquo; (2015); Critical Mass festival &amp; Akinci gallery Garden of Vigilant Clothes, 2015, Creative Time Summit Washington DC ,Debates on Division 2017, Ar st talk during MoMA&rsquo;s C-MAP (Central and Eastern European Research) mee ng, October 11, 2016 , New York, USA.<\/p>\n<p>In 2014 Gluklya was the recipient of a visual arts fellowship awarded by The Joseph Brodsky Memorial Fund. The fellowship allowed her to spend 3 months in Venice and Rome.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-6521\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-1024x686.png\" alt=\"\" width=\"640\" height=\"429\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1.png 1024w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-1.png 300w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-2.png 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-3.png 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-4.png 627w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/08\/natalia1-5.png 1039w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" 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1068w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/Migrants-seria-&#1082;&#1086;&#1083;&#1075;&#1086;&#1090;&#1086;&#1082;-&#1088;&#1080;&#1089;&#1091;&#1085;&#1086;&#1082;-.jpg?resize=616%2C420&amp;ssl=1 616w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/Migrants-seria-&#1082;&#1086;&#1083;&#1075;&#1086;&#1090;&#1086;&#1082;-&#1088;&#1080;&#1089;&#1091;&#1085;&#1086;&#1082;-.jpg?w=1280&amp;ssl=1 1280w, https:\/\/i0.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/08\/Migrants-seria-&#1082;&#1086;&#1083;&#1075;&#1086;&#1090;&#1086;&#1082;-&#1088;&#1080;&#1089;&#1091;&#1085;&#1086;&#1082;-.jpg?w=1920&amp;ssl=1 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in Leningrad (now St. Petersburg), Natalya Pershina-Yakimanskaya (also known as Gluklya) lives and works in St. Petersburg and Amsterdam. Shortly after graduating from the Mukhina Academy of Art and Design, she co-founded the artists&rsquo; collective The Factory of Found Clothes (FFC) with Olga Egorova (Tsaplya). FFC uses installations, performance, video, text and &ldquo;social research&rdquo; [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1639","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=1639"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1639\/revisions"}],"predecessor-version":[{"id":1660,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1639\/revisions\/1660"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=1639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=1639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=1639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}