{"id":16237,"date":"2021-06-01T14:37:11","date_gmt":"2021-06-01T14:37:11","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/?p=16237"},"modified":"2021-06-01T15:09:36","modified_gmt":"2021-06-01T15:09:36","slug":"rebecca-bryant","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/rebecca-bryant\/","title":{"rendered":"Rebecca Bryant"},"content":{"rendered":"
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photo by Jamie Carr<\/figcaption><\/figure>\n

Rebecca Bryant<\/a> creates danceworks that combine movement with\u00a0text,\u00a0video, and objects. Originally trained in visual art, Bryant\u2019s dances\u00a0emphasize\u00a0improvisational methods and performative states, as well as\u00a0non-hierarchical\u00a0collaboration across disciplines.\u00a0\u00a0Bryant\u00a0has shown her work in 26 US states and in Canada, Mexico,\u00a0Colombia, Ecuador, Argentina,\u00a0Spain, Germany, Romania, Hungary, Denmark,\u00a0Norway, and Sweden. She worked\u00a0extensively with the Lower Left Performance\u00a0Collective for 13 years and is a\u00a0co-founder of PMPD (dance\/music\/new media). Her\u00a0projects have received support\u00a0from residencies such as Djerassi Resident Artist\u00a0Program (USA) and\u00a0Guapamac\u00e1taro Art and Ecology Residency (Mexico), and a\u00a0choreographic grant\u00a0from the Puffin Foundation. Bryant has danced for renowned and\u00a0emerging\u00a0choreographers including Nina Martin, Wally Cardona, Victoria Marks, Kim\u00a0Epifano, Shelley Senter, Lionel Popkin, and Marianne Kim. She has taught\u00a0workshops\u00a0in New York, Stockholm, Oslo, Berlin, Buenos Aires, Bogota, and at\u00a0the Los Angeles\u00a0Improvisational Dance Festival, West Coast Contact Improv\u00a0Festival, Texas Dance\u00a0Improvisation Festival, Contact Festival Freiburg,\u00a0TransContact Festival, Kontakt\u00a0Budapest Festival, and at numerous universities\u00a0across the US.\u00a0\u00a0She holds a BA in\u00a0Visual\u00a0Art and an MFA in Dance, and teaches dance improvisation, composition,\u00a0somatics, and pedagogy at California State University, Long Beach.<\/p>\n

The book mentioned in the interview is The Genius of Birds <\/i><\/a>by Jennifer Ackerman.<\/span><\/p>\n

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photo by Jamie Carr Rebecca Bryant creates danceworks that combine movement with\u00a0text,\u00a0video, and objects. Originally trained in visual art, Bryant\u2019s dances\u00a0emphasize\u00a0improvisational methods and performative states, as well as\u00a0non-hierarchical\u00a0collaboration across disciplines.\u00a0\u00a0Bryant\u00a0has shown her work in 26 US states and in Canada, Mexico,\u00a0Colombia, Ecuador, Argentina,\u00a0Spain, Germany, Romania, Hungary, Denmark,\u00a0Norway, and Sweden. She worked\u00a0extensively with the Lower Left […]<\/p>\n","protected":false},"author":3,"featured_media":16239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-16237","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=16237"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16237\/revisions"}],"predecessor-version":[{"id":16270,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/16237\/revisions\/16270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/16239"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=16237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=16237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=16237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}