{"id":1572,"date":"2017-07-25T13:45:52","date_gmt":"2017-07-25T13:45:52","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/cecilia-fajardo-hill\/"},"modified":"2018-08-19T19:02:01","modified_gmt":"2018-08-19T19:02:01","slug":"cecilia-fajardo-hill","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/cecilia-fajardo-hill\/","title":{"rendered":"Cecilia Fajardo-Hill"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6432 alignleft\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516.jpg 225w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-1.jpg 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-2.jpg 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-3.jpg 1068w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-4.jpg 315w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-5.jpg 1280w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/IMG_4523-e1500990309516-6.jpg 1920w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" data-recalc-dims=\"1\" \/>Cecilia Fajardo-Hill is a British\/ Venezuelan&nbsp; art historian and curator in modern and contemporary art, specializing on Latin American art, currently based in Southern California.&nbsp;&nbsp;Fajardo-Hill holds a PhD in Art History from the University of Essex, England, and an MA in 20th Century Art History from the Courtauld Institute of Art, London, England. Fajardo-Hill is Guest Curator at the Hammer Museum in Los Angeles as co-curator of<a href=\"https:\/\/hammer.ucla.edu\/exhibitions\/2017\/radical-women-latin-american-art-1960-1985\/\"><em> Radical Women: Latin American Art, 1960-1985<\/em><\/a>, as part of the Getty&nbsp; Foundation PST LA\/LA initiative. She is also the curator of <a href=\"http:\/\/abstractioninaction.com\/\">Abstractioninaction.com<\/a>, a multi platform dedicated to post-1990s abstract art from Latin America. Presently she is co-editing a book on 20<sup>th<\/sup> and 21th &ndash; century art&nbsp; Guatemalan art, an initiative of Harvard University and Arte GT 20\/21. Fajardo-Hill has curated and written extensively on contemporary Latin American art.<\/p>\n<p>Fajardo-Hill was the Chief Curator at the Museum of Latin American Art, MOLAA, in Long Beach, California; the Director and Chief Curator of the Cisneros Fontanals Arts Foundation (CIFO) and the Ella Fontanals Cisneros Collection in Miami, USA; and the Director of Sala Mendoza in Caracas, Venezuela.<\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6420 size-full\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2.png\" alt=\"\" width=\"640\" height=\"372\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2-1.png 942w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2-2.png 300w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2-3.png 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2-4.png 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-2-5.png 723w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Maria Evelia Marmolejo: Engagement\/Healing, 2015 Prometeo Gallery di Ida Pisani, Milan<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6419\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-1.png\" alt=\"\" width=\"628\" height=\"471\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-1-1.png 433w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-1-2.png 300w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/07\/image-1.png?resize=80%2C60&amp;ssl=1 80w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/07\/image-1-3.png 265w\" sizes=\"auto, (max-width: 628px) 100vw, 628px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Edgar Calel and Rosario Sotelo Abuelos, 2013-14 70 stones from Comalapa, Toj, with fruits 19 Bienal de Arte Paiz, Guatemala City, 2014<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Cecilia Fajardo-Hill is a British\/ Venezuelan&nbsp; art historian and curator in modern and contemporary art, specializing on Latin American art, currently based in Southern California.&nbsp;&nbsp;Fajardo-Hill holds a PhD in Art History from the University of Essex, England, and an MA in 20th Century Art History from the Courtauld Institute of Art, London, England. Fajardo-Hill is [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1572","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=1572"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1572\/revisions"}],"predecessor-version":[{"id":1593,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1572\/revisions\/1593"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=1572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=1572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=1572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}