{"id":15442,"date":"2021-03-27T16:33:44","date_gmt":"2021-03-27T17:33:44","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/tim-okamura\/"},"modified":"2021-03-27T18:13:08","modified_gmt":"2021-03-27T18:13:08","slug":"tim-okamura","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/tim-okamura\/","title":{"rendered":"Tim Okamura"},"content":{"rendered":"
\"\"
Tim with Nurse Tracy in progress<\/figcaption><\/figure>\n

Tim Okamura<\/a> investigates identity, the urban environment, metaphor, and cultural iconography through a unique method of painting – one that combines an essentially ‘realist’ approach to the figure with collage, spray paint and mixed media. The juxtaposition of the rawness and urgency of street art and academic ideals has created a visual language that acknowledges a traditional form of story-telling through portraiture, while infusing the work with resonant contemporary motifs.<\/p>\n

Born in Edmonton, Canada, painter Tim Okamura earned a B.F.A. with Distinction at the Alberta College of Art and Design in Calgary, Canada before moving to New York City to attend the School of Visual Arts in 1991. After graduating with an M.F.A. in Illustration as Visual Journalism, Okamura moved to Brooklyn, New York, where he continues to live and work.<\/p>\n

Tim Okamura – a recipient of the 2004 Fellowship in Painting from the New York Foundation for the Arts – has exhibited extensively in galleries throughout the world, including the U.S., Canada, Italy, Germany, Hong Kong, Japan, Ecuador and Turkey, and has been selected nine times to appear in the prestigious BP Portrait Award Exhibition at the National Portrait Gallery in London, England.<\/p>\n

In 2006, Okamura was short-listed by the Royal Surveyor of the Queen’s Picture Collection for a commissioned portrait of the Queen of England.<\/p>\n

In 2013, the University of North Carolina hosted a retrospective exhibition of Okamura’s work that focused on nearly a decade of production.<\/p>\n

Okamura received an invitation to The White House in the Fall of 2015 to honor artists whose work addresses issues of social justice – there he received a letter of commendation from Vice President of the United States, Joe Biden.<\/p>\n

Okamura’s painting titled “I Love Your Hair” was selected in 2016 for inclusion in the “American Portraiture Today” exhibition, featured at the Smithsonian National Portrait Gallery in Washington, D.C. and subsequently toured museums across the United States.<\/p>\n

Several of Okamura’s works were recently featured in the “Still I Rise” exhibition at the Massachusetts Museum of Contemporary Art.<\/p>\n

Tim Okamura’s art is on display in the permanent collections of the Davis Museum at Wellesley College, Jiménez Colón Museum in Puerto Rico, The Sonja Haynes Stone Center for Black Culture and History at the University of North Carolina, The Alberta Foundation for the Arts, the Toronto Congress Center, the Hotel Arts in Calgary, Canada, and Standard Chartered Bank in London, England.<\/p>\n

Collectors include Uma Thurman, Meg Ryan, John Mellencamp, DJ Black Coffee, Ahmir “Questlove” Thompson, athletes Courtney Lee and PK Subban, director Ben Younger, and actors Bryan Greenberg, Hill Harper, Annabella Sciorra, and Spike Lee.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Tim with Nurse Tracy in progress Tim Okamura investigates identity, the urban environment, metaphor, and cultural iconography through a unique method of painting – one that combines an essentially ‘realist’ approach to the figure with collage, spray paint and mixed media. The juxtaposition of the rawness and urgency of street art and academic ideals has […]<\/p>\n","protected":false},"author":3,"featured_media":15479,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-15442","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/15442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=15442"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/15442\/revisions"}],"predecessor-version":[{"id":15480,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/15442\/revisions\/15480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/15479"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=15442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=15442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=15442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}