{"id":14674,"date":"2021-01-28T11:44:33","date_gmt":"2021-01-28T12:44:33","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/carlos-monleon-gendall\/"},"modified":"2021-01-28T13:20:20","modified_gmt":"2021-01-28T13:20:20","slug":"carlos-monleon-gendall","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/carlos-monleon-gendall\/","title":{"rendered":"Carlos Monleon Gendall"},"content":{"rendered":"<p class=\"p1\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-10968 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/CarlosMonleonPortrait-229x300-1.png\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/CarlosMonleonPortrait-229x300-1.png 229w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/CarlosMonleonPortrait-321x420.png 321w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/CarlosMonleonPortrait.png 662w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><a href=\"http:\/\/www.carlosmonleon.com\/\">Carlos<\/a> works with a variety of processes and materials, both living and nonliving, that result in sculptural and participatory artworks.These span across different levels of bodily sensation and awareness; from the microbiological to the performative and social bodies. His main line of line of work traces evolutionary processes that stem from digestion and cognition and result in the distribution of biological processes across multi-species entanglements and cybernetic metabolisms.<\/p>\n<p class=\"p1\">Carlos has developed collaborative projects at spaces such as Autoitalia, Seventeen Gallery and Diaspore Project Space, London, Cr&aacute;ter Invertido, Mexico, Hangar, Lisbon as well as institutions such as CA2M, and Matadero, Madrid, HIAP Helsinki, and has shown his individual practice at LUMA Arles, Z33, Istanbul Design Biennial or the Tallin Biennial amongst others.<\/p>\n<p>The books mentioned in the interview were&nbsp;<a href=\"https:\/\/www.amazon.com\/Sensitive-Chaos-Creation-Flowing-Forms\/dp\/1855840553\">Sensitive Chaos<\/a> by Theodor Schwenk, <a href=\"https:\/\/www.amazon.com\/dp\/1594203954\/ref=cm_sw_em_r_mt_dp_S5VMF8PMKJWBB4V7T5ZS\">Nose Dive a field guide to the world&rsquo;s smells<\/a> by Harold McGee and <a href=\"https:\/\/www.amazon.com\/dp\/B07WKJS8P1\/ref=cm_sw_em_r_mt_dp_7C247J6NVCNSP0TNCJ1P\">Entangled Life<\/a> by Merlin Sheldrake.<\/p>\n<figure aria-describedby=\"caption-attachment-10969\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-10969 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-1024x683-1.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-1024x683-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-300x200.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-768x512.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-1536x1024.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-2048x1365.jpg 2048w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-696x464.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-1068x712.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/1Colloquy-of_vessels-630x420.jpg 630w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-caption-text\">Colloquy of Vessels-2018-2020 Hand Blown Glass, steel tubing, cotton thread, avocado stone.<\/figcaption><\/figure>\n<figure aria-describedby=\"caption-attachment-10971\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-10971 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-1024x413-1.jpg\" alt=\"\" width=\"640\" height=\"258\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-1024x413-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-300x121.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-768x310.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-1536x620.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-696x281.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-1068x431.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA-1041x420.jpg 1041w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2021\/01\/2SAUNA.jpg 1960w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-caption-text\">SAUNA &ndash; 2017<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Carlos works with a variety of processes and materials, both living and nonliving, that result in sculptural and participatory artworks.These span across different levels of bodily sensation and awareness; from the microbiological to the performative and social bodies. His main line of line of work traces evolutionary processes that stem from digestion and cognition and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":14698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-14674","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=14674"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14674\/revisions"}],"predecessor-version":[{"id":14699,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14674\/revisions\/14699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/14698"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=14674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=14674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=14674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}