{"id":1446,"date":"2017-10-02T00:15:06","date_gmt":"2017-10-02T00:15:06","guid":{"rendered":"https:\/\/thebirthofeverything.com\/authorsite\/phil-smith\/"},"modified":"2018-08-19T19:01:41","modified_gmt":"2018-08-19T19:01:41","slug":"phil-smith","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/phil-smith\/","title":{"rendered":"Phil Smith"},"content":{"rendered":"<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6732 size-large\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-1024x682.jpg\" alt=\"\" width=\"640\" height=\"426\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes.jpg 1024w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-1.jpg 300w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-2.jpg 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-3.jpg 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-4.jpg 1068w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-5.jpg 630w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/OnePedlarbyIanHughes-6.jpg 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Phil Smith, Photo: Ian Hughes.<\/figcaption><\/figure>\n<p>Phil Smith is a performance-maker, writer and ambulatory researcher, specialising in creating performances related to walking, site-specificity, mythogeographies and counter-tourism. He is a core member of site-based arts collective Wrights &amp; Sites, presently working on a new publication: &lsquo;The Architect-Walker&rsquo;. He is developing a &lsquo;common dance for threatened subjectivities&rsquo; with choreographer Melanie Kloetzel (Calgary University). He is also working as a Site Artist for Tracing the Pathway&rsquo;s &lsquo;Groundwork&rsquo; project in Milton Keynes and with Threshold Studios on the Digitalis project in the same city. Phil&rsquo;s publications include &lsquo;Anywhere&rsquo; (2017), &lsquo;A Footbook of Zombie Walking&rsquo; and &lsquo;Walking&rsquo;s New Movement&rsquo; (2015), &lsquo;On Walking&rsquo; and &lsquo;Enchanted Things&rsquo; (2014), &lsquo;Counter-Tourism: The Handbook&rsquo; (2012) and &lsquo;Mythogeography&rsquo; (2010).&nbsp; Phil is an Associate Professor (Reader) at Plymouth University.<\/p>\n<p>The book mentioned in the interview was&nbsp; the <a href=\"http:\/\/www.triarchypress.net\/anywhere.html\">&lsquo;Anywhere&rsquo; book<\/a>.<\/p>\n<p>Here is a link to one of his performance walks, &nbsp;<a href=\"https:\/\/vimeo.com\/172821898\">&lsquo;Blazing Worlds Walks&rsquo; in Northfield (MN)<\/a><\/p>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6733 size-large\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-1024x768.jpg\" alt=\"\" width=\"640\" height=\"480\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish.jpg 1024w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-1.jpg 300w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-2.jpg 768w, https:\/\/i1.wp.com\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-3.jpg 265w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-4.jpg 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-5.jpg 1068w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-6.jpg 560w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-7.jpg 1280w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/PhilSmithDawlish-8.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Phil Smith performing &lsquo;Crab Steps Aside&rsquo;<\/figcaption><\/figure>\n<figure class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6735 size-large\" src=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-768x1024.jpg\" alt=\"\" width=\"640\" height=\"853\" srcset=\"https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7.jpg 768w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-1.jpg 225w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-2.jpg 696w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-3.jpg 1068w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-4.jpg 315w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-5.jpg 1280w, https:\/\/thebirthofeverything.com\/authorsite\/wp-content\/uploads\/2017\/10\/Figure-7-6.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption class=\"wp-caption-text\">Phil Smith practising counter-tourism at Somerleyton Hall, Suffolk<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Phil Smith, Photo: Ian Hughes. Phil Smith is a performance-maker, writer and ambulatory researcher, specialising in creating performances related to walking, site-specificity, mythogeographies and counter-tourism. He is a core member of site-based arts collective Wrights &amp; Sites, presently working on a new publication: &lsquo;The Architect-Walker&rsquo;. He is developing a &lsquo;common dance for threatened subjectivities&rsquo; with [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1446","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-interview","7":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=1446"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1446\/revisions"}],"predecessor-version":[{"id":1474,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/1446\/revisions\/1474"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=1446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=1446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=1446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}