{"id":14297,"date":"2020-12-20T15:48:19","date_gmt":"2020-12-20T16:48:19","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/george-abraham\/"},"modified":"2020-12-20T16:55:40","modified_gmt":"2020-12-20T16:55:40","slug":"george-abraham","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/george-abraham\/","title":{"rendered":"George Abraham"},"content":{"rendered":"
\"\"George Abraham<\/a> (they\/he) is a Palestinian american poet from Jacksonville, FL. They are the author of Birthright<\/a> (Button Poetry) and the specimen’s apology (Sibling Rivalry Press).<\/div>\n
He is a recipient of fellowships from Kundiman and the Boston Foundation, and a board member for the Radius of Arab American Writers (RAWI).<\/div>\n
Their poetry and nonfiction have appeared in The American Poetry Review, The Baffler, The Paris Review, The Missouri Review, Mizna, and elsewhere.<\/div>\n
He currently resides on stolen Massachusett land, where he is a Bioengineering PhD candidate at Harvard University, and teaches in Writing, Literature, and Publishing at Emerson College.<\/div>\n
\n
\"\"
Order Birthright, in print or audiobook form, from Button Poetry: bit.ly\/georgebirthright<\/a><\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

George Abraham (they\/he) is a Palestinian american poet from Jacksonville, FL. They are the author of Birthright (Button Poetry) and the specimen’s apology (Sibling Rivalry Press). He is a recipient of fellowships from Kundiman and the Boston Foundation, and a board member for the Radius of Arab American Writers (RAWI). Their poetry and nonfiction have […]<\/p>\n","protected":false},"author":3,"featured_media":14313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-14297","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=14297"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14297\/revisions"}],"predecessor-version":[{"id":14314,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/14297\/revisions\/14314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/14313"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=14297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=14297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=14297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}