{"id":13975,"date":"2020-11-21T16:33:21","date_gmt":"2020-11-21T17:33:21","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/robin-pogrebin\/"},"modified":"2020-11-21T18:14:45","modified_gmt":"2020-11-21T18:14:45","slug":"robin-pogrebin","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/robin-pogrebin\/","title":{"rendered":"Robin Pogrebin"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10756 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-200x300-1.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-200x300-1.jpg 200w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-683x1024.jpg 683w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-768x1151.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-1025x1536.jpg 1025w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-1367x2048.jpg 1367w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-696x1043.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-1068x1600.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-280x420.jpg 280w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/Robin_Pogrebin-291_2_PS_FINAL-scaled.jpg 1709w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><a href=\"https:\/\/www.nytimes.com\/by\/robin-pogrebin\">Robin Pogrebin<\/a> is a reporter on the Culture Desk of The New York Times, where she covers cultural institutions, the art world, architecture and other topics.<\/p>\n<p><a href=\"https:\/\/www.amazon.com\/Education-Brett-Kavanaugh-Investigation\/dp\/059308439X\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10758 alignright\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/book-cover-206x300-1.png\" alt=\"\" width=\"140\" height=\"204\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/book-cover-206x300-1.png 206w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/book-cover-289x420.png 289w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/book-cover.png 310w\" sizes=\"auto, (max-width: 140px) 100vw, 140px\" \/><\/a>She is also the author, with Kate Kelly of the book, &ldquo;<a href=\"https:\/\/www.amazon.com\/Education-Brett-Kavanaugh-Investigation\/dp\/059308439X\">The Education of Brett Kavanaugh: An Investigation<\/a>,&rdquo; published in September 2019. At the Times, she has also covered the media industry for the Business Desk and city news for the Metro Desk. Prior to joining the Times in 1995, she was an associate producer for Peter Jennings&rsquo; documentary unit at ABC News and, before that, a staff reporter at The New York Observer.<\/p>\n<p>Her freelance work has been featured in magazines like Vogue, Town &amp; Country and Departures, along with several book anthologies. Pogrebin, who also teaches writing at the School of Visual Arts, is a frequent moderator, radio guest and speaker. She lives in New York City.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-10757\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/stories-image-1.png\" alt=\"\" width=\"880\" height=\"355\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/stories-image-1.png 880w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/stories-image-300x121-1.png 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/stories-image-768x310-1.png 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/11\/stories-image-696x281.png 696w\" sizes=\"auto, (max-width: 880px) 100vw, 880px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robin Pogrebin is a reporter on the Culture Desk of The New York Times, where she covers cultural institutions, the art world, architecture and other topics. She is also the author, with Kate Kelly of the book, &ldquo;The Education of Brett Kavanaugh: An Investigation,&rdquo; published in September 2019. At the Times, she has also covered [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":13996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-13975","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=13975"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13975\/revisions"}],"predecessor-version":[{"id":13997,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13975\/revisions\/13997"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/13996"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=13975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=13975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=13975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}