{"id":13837,"date":"2020-10-23T18:02:01","date_gmt":"2020-10-23T18:02:01","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/sarah-lawson-and-lee-norton\/"},"modified":"2020-10-23T18:20:36","modified_gmt":"2020-10-23T18:20:36","slug":"sarah-lawson-and-lee-norton","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/sarah-lawson-and-lee-norton\/","title":{"rendered":"Sarah Lawson and Lee Norton"},"content":{"rendered":"
Sarah Lawson is a writ\"\"er and editor based in Brooklyn. They are a member of the Ugly Duckling Presse editorial collective, and act as UDP’s Publicity Director.<\/div>\n
<\/div>\n
<\/div>\n
\"\"Lee Norton is a member of the Ugly Duckling Presse Editorial Collective, where he also serves as the Development Director. He teaches composition and literature at Queens College CUNY, usually with a focus on the history and rhetoric of the life sciences, theories of genre, 20th-century fiction, and contemporary poetry, in some combination. He earned a PhD in English and Comparative Literature at UNC-Chapel Hill; his critical work has appeared in Occasions<\/i>; his poetry, in Ohio Edit<\/i>, Drunken Boat<\/i>, Supermachine<\/i>, and several other magazines.<\/div>\n
<\/div>\n
Ugly Duckling Presse is a nonprofit publisher for poetry, translation, experimental nonfiction, performance texts, and books by artists. Through the efforts of a volunteer editorial collective, UDP was transformed from a 1990s zine into a mission-driven small press that has published more than 300 titles to date, and produced countless prints and ephemera.<\/div>\n
<\/div>\n
UDP favors emerging, international, and “forgotten” writers, and its books, chapbooks, artist’s books, broadsides, and periodicals often contain handmade elements, calling attention to the labor and history of bookmaking.<\/div>\n
<\/div>\n
UDP is committed to keeping its publications in circulation with our online archive of out-of-print chapbooks and our digital proofs program. In all of its activities, UDP endeavors to create an experience of art free of expectation, coercion, and utility.<\/div>\n
<\/div>\n
Here<\/a> is a link to the pamphlet subscription mentioned in the interview and the regular subscription is here<\/a>.<\/div>\n
<\/div>\n
And here<\/a> is some more writing on the reasoning \/ history that went into doing the pamphlet series, in the words of editor Daniel Owen.<\/div>\n
\n
\"\"
Soviet Texts, the first representative selected volume of poetry by Dmitri Alexandrovich Prigov, a leading writer of the late Soviet and early post-Soviet era and one of the founders of Moscow Conceptualism.<\/figcaption><\/figure>\n<\/div>\n
\n
\"\"
The first batch of the 2020 Pamphlet Series, with work from Simon Cutts, Sergio Chejfec, Don Mee Choi, Steven Zultanski, and Aleksandr Skidan.<\/figcaption><\/figure>\n<\/div>\n
\n
\"\"
Bobbie Louise Hawkins’ autobiographical novel One Small Saga; and Laura Riding’s first book of poetry, The Close Chaplet.<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Sarah Lawson is a writer and editor based in Brooklyn. They are a member of the Ugly Duckling Presse editorial collective, and act as UDP’s Publicity Director. Lee Norton is a member of the Ugly Duckling Presse Editorial Collective, where he also serves as the Development Director. He teaches composition and literature at Queens College CUNY, […]<\/p>\n","protected":false},"author":3,"featured_media":13883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-13837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=13837"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13837\/revisions"}],"predecessor-version":[{"id":13884,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/13837\/revisions\/13884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/13883"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=13837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=13837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=13837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}