{"id":12629,"date":"2020-06-08T15:09:58","date_gmt":"2020-06-08T15:09:58","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/yasue-maetake\/"},"modified":"2020-06-08T16:13:50","modified_gmt":"2020-06-08T16:13:50","slug":"yasue-maetake","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/yasue-maetake\/","title":{"rendered":"Yasue Maetake"},"content":{"rendered":"
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Yasue Portraiture photo by Kyle Knodell<\/figcaption><\/figure>\n

Yasue Maetake<\/a> is a Japanese-born, New York-based artist. While Maetake respond to a range of influences such as Animism, Baroque, natural forms and industrial constructions, her work centers on the creation of evocative sculptures that grapple with non-controllable forces of nature and serve as a proxy for the human body.<\/p>\n

Maetake was recently named by Artsy <\/em>as one of 20 international women advancing the field of sculpture and, her work was exhibited at Palazzo Benzon, in conjunction with the 58th Venice Biennale and The Chimney, Brooklyn.<\/p>\n

She was a resident of El Anatsui’s studio in Nigeria with a research grant from Cultural Ministry Japan. She holds MFA from Columbia University.<\/p>\n

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Symbolic Atmosphere VIII 2020 H30 x 44 x 24 inch. assorted animal bones & seashells, steel, brass, copper, cotton pulp, synthetic clay photo by Kyle Knodell<\/figcaption><\/figure>\n
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Precarious Windbreak  2019 H115 x 67 x 71 inch. copper corrosion and steel corrosion on pulp, steel, bronze, cane photo by Allegheny Art Galleries, PA<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Yasue Portraiture photo by Kyle Knodell Yasue Maetake is a Japanese-born, New York-based artist. While Maetake respond to a range of influences such as Animism, Baroque, natural forms and industrial constructions, her work centers on the creation of evocative sculptures that grapple with non-controllable forces of nature and serve as a proxy for the human […]<\/p>\n","protected":false},"author":3,"featured_media":12661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-12629","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=12629"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12629\/revisions"}],"predecessor-version":[{"id":12662,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12629\/revisions\/12662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/12661"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=12629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=12629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=12629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}