{"id":12605,"date":"2020-06-05T16:09:39","date_gmt":"2020-06-05T16:09:39","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/gideonsson-londre\/"},"modified":"2020-06-05T17:13:26","modified_gmt":"2020-06-05T17:13:26","slug":"gideonsson-londre","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/gideonsson-londre\/","title":{"rendered":"GIDEONSSON\/LONDR\u00c9"},"content":{"rendered":"
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photo credit: Oskar Karlin<\/figcaption><\/figure>\n

Through long-lasting processes, the artist duo GIDEONSSON\/LONDR<\/a><\/span>É <\/span>search for a dissolved state in-between paralysation and ecstasy. Their practice involves performances, installations and interventions that consist of different forms of highly regulated everyday activities, in relation to different experiences of time. How changes in rhythms and time flows open up for other positions and temporary detachments from established ideas about subjectivity.<\/span><\/p>\n

GIDEONSSON\/LONDR<\/span>É <\/span>live and work in Kallr<\/span>ö<\/span>r, Sweden, and received an MFA from The Royal Institute of Art in 2014. Recent exhibitions includes <\/span>Change<\/span><\/i>, Havremagasinet, Sweden (2019), I am vertical<\/i>, ESPAI 13, Spain (2018) and The Swamp Biennale<\/i><\/span>, Art Lab Gnesta, Sweden (2018).<\/span><\/p>\n

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”The Hour of the Wolf”, Andquestionmark, Stockholm, photo credit: Nayab Ikram<\/figcaption><\/figure>\n
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Tilbøyelighet”, Galleri Babel, Trondheim, photo credit: F. Susann Jamtøy<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

photo credit: Oskar Karlin Through long-lasting processes, the artist duo GIDEONSSON\/LONDRÉ search for a dissolved state in-between paralysation and ecstasy. Their practice involves performances, installations and interventions that consist of different forms of highly regulated everyday activities, in relation to different experiences of time. How changes in rhythms and time flows open up for other […]<\/p>\n","protected":false},"author":3,"featured_media":12627,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-12605","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=12605"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12605\/revisions"}],"predecessor-version":[{"id":12628,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12605\/revisions\/12628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/12627"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=12605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=12605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=12605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}