{"id":12334,"date":"2020-05-20T23:48:00","date_gmt":"2020-05-20T23:48:00","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/andrew-woolbright\/"},"modified":"2020-05-21T00:12:28","modified_gmt":"2020-05-21T00:12:28","slug":"andrew-woolbright","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/andrew-woolbright\/","title":{"rendered":"Andrew Woolbright"},"content":{"rendered":"<p><a href=\"http:\/\/www.andrewwoolbright.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10365 alignleft\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-227x300-1.jpg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-227x300-1.jpg 227w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-775x1024.jpg 775w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-768x1015.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-1162x1536.jpg 1162w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-1549x2048.jpg 1549w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-696x920.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-1068x1412.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-318x420.jpg 318w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/biopicture-scaled.jpg 1937w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/>Andrew Woolbright<\/a> is an artist, critic, and <a href=\"https:\/\/www.superdutchess.com\/\">gallerist<\/a> working in Brooklyn NY. Woolbright attended the School of the Art Institute Chicago where he was greatly influenced by the work of the alternative figuration of Ivan Albright and Mary Lou Zelazny before being taught by Angela Dufresne at the Rhode Island School of Design, receiving his MFA in 2014. Woolbright has exhibited with the Ada Gallery, Nancy Margolis, and Coherent Brussels. His work has been reviewed in TimeOut New York, ArtViewer, Two Coats of Paint, the Boston Globe, the Chicago Reader, and the Providence Journal and is currently in the collection of the RISD Museum. In 2020, he will be curating a survey show of Kathy Goodell&rsquo;s work at the Dorsky Museum, and he is currently planning a traveling show based on his article &ldquo;Phantom Body: Weightless Bodies, Avatars, and the end of Skin&rdquo; that was published in <a href=\"https:\/\/whitehotmagazine.com\/articles\/bodies-avatars-end-of-skin\/4587\">Whitehot Magazine<\/a>. He has taught at the Rhode Island School of Design and currently teaches at SUNY New Paltz.<\/p>\n<p>The books mentioned in the interview are <a href=\"https:\/\/www.amazon.com\/Weird-Realism-Philosophy-Graham-Harman\/dp\/1780992521\">Weird Realism: Lovecraft and Philosophy<\/a>, <a href=\"https:\/\/www.amazon.com\/Marlene-Dumas-Image-as-Burden\/dp\/1938922549\/ref=sr_1_1?dchild=1&amp;keywords=marlene+dumas+burden+of+the+image&amp;qid=1589997132&amp;s=books&amp;sr=1-1\">Marlene Dumas: The Image as Burden<\/a> and <a href=\"https:\/\/www.amazon.com\/God-Jr-Dennis-Cooper-ebook\/dp\/B005BCVB32\/ref=sr_1_2?dchild=1&amp;keywords=god+jr&amp;qid=1589997162&amp;s=books&amp;sr=1-2\">God Jr.<\/a><\/p>\n<div>\n<figure aria-describedby=\"caption-attachment-10366\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10366 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-1024x763-1.jpg\" alt=\"\" width=\"640\" height=\"477\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-1024x763-1.jpg 1024w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-300x224.jpg 300w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-768x573.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-1536x1145.jpg 1536w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-2048x1527.jpg 2048w, https:\/\/museumofnonvisibleart.com\/interviews\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-80x60.jpg 80w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-265x198.jpg 265w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-696x519.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-1068x796.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/greatfurshlugfinal-563x420.jpg 563w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-caption-text\">The Great Shrinebeast&nbsp;Furschlugginment (My Worries Going Super Saiyan (After Blake)). Oil on cut canvas, plaster, acrylic paint, wire, epoxy, Monster Energy Drink cans, masonite. 160 x 104 inches. 2018-2019<\/figcaption><\/figure>\n<\/div>\n<div>\n<figure aria-describedby=\"caption-attachment-10367\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10367 size-large\" src=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-870x1024-1.jpg\" alt=\"\" width=\"640\" height=\"753\" srcset=\"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-870x1024-1.jpg 870w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-255x300.jpg 255w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-768x904.jpg 768w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-1304x1536.jpg 1304w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-1739x2048.jpg 1739w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-696x820.jpg 696w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-1068x1258.jpg 1068w, https:\/\/museumofnonvisibleart.com\/authorsite\/wp-content\/uploads\/2020\/05\/sadgundam-357x420.jpg 357w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-caption-text\">Sad Gundam Shrinebeast (Poem for Bill). Oil on poem. 19.5 x 11.5 inches. 2020<\/figcaption><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Andrew Woolbright is an artist, critic, and gallerist working in Brooklyn NY. Woolbright attended the School of the Art Institute Chicago where he was greatly influenced by the work of the alternative figuration of Ivan Albright and Mary Lou Zelazny before being taught by Angela Dufresne at the Rhode Island School of Design, receiving his [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":12365,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-12334","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=12334"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12334\/revisions"}],"predecessor-version":[{"id":12366,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12334\/revisions\/12366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/12365"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=12334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=12334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=12334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}