{"id":12215,"date":"2020-05-13T18:18:52","date_gmt":"2020-05-13T18:18:52","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/philip-metres-2\/"},"modified":"2020-05-13T19:13:35","modified_gmt":"2020-05-13T19:13:35","slug":"philip-metres-2","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/philip-metres-2\/","title":{"rendered":"Philip Metres"},"content":{"rendered":"

Philip Metres\"\" is the author of ten books, including Shrapnel Maps<\/em><\/a> (2020), The Sound of Listening: Poetry as Refuge and Resistance<\/em> (2018)<\/a>, Pictures at an Exhibition<\/em> (2016), Sand Opera<\/em> (2015)<\/a>, and I Burned at the Feast: Selected Poems of Arseny Tarkovsky<\/em> (2015).<\/p>\n

His work has garnered a Guggenheim, a Lannan, two NEAs, six Ohio Arts Council Grants, the Hunt Prize, the Adrienne Rich Award, three Arab American Book Awards, the Watson Fellowship, the Lyric Poetry Prize, and the Cleveland Arts Prize. Metres has been called “one of the essential poets of our time,” whose work is “beautiful, powerful, magnetically original.” His poems have been translated into Arabic, Farsi, Polish, Russian, and Tamil. He is professor of English and director of the Peace, Justice, and Human Rights program at John Carroll University, and lives in Cleveland, Ohio.<\/p>\n

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Philip Metres is the author of ten books, including Shrapnel Maps (2020), The Sound of Listening: Poetry as Refuge and Resistance (2018), Pictures at an Exhibition (2016), Sand Opera (2015), and I Burned at the Feast: Selected Poems of Arseny Tarkovsky (2015). His work has garnered a Guggenheim, a Lannan, two NEAs, six Ohio Arts Council […]<\/p>\n","protected":false},"author":3,"featured_media":12243,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-12215","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=12215"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12215\/revisions"}],"predecessor-version":[{"id":12244,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/12215\/revisions\/12244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/12243"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=12215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=12215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=12215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}