{"id":11637,"date":"2020-03-12T19:29:23","date_gmt":"2020-03-12T20:29:23","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/carol-ann-davis\/"},"modified":"2020-03-12T21:10:31","modified_gmt":"2020-03-12T21:10:31","slug":"carol-ann-davis","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/carol-ann-davis\/","title":{"rendered":"Carol Ann Davis"},"content":{"rendered":"

\"\"Carol Ann Davis<\/a> is a poet, essayist, and author of the poetry collections Psalm (2007) and Atlas Hour (2011), and The Nail in the Tree:  Essays on Art, Violence, and Childhood (2020), all available from Tupelo Press<\/a>.<\/p>\n

The daughter of one of the NASA engineers who returned the Apollo 13 crew from the moon, she grew up on the east coast of Florida the youngest of seven children, then studied poetry at Vassar College and the University of Massachusetts, Amherst.  A former longtime editor of the literary journal Crazyhorse, she is Professor of English at Fairfield University, where she directs the Low-Residency MFA Program and is founding director of Poetry in Communities, an initiative that brings writing workshops to communities hit by sudden or systemic violence.  She lives in Newtown, CT, with her husband and two sons.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Carol Ann Davis is a poet, essayist, and author of the poetry collections Psalm (2007) and Atlas Hour (2011), and The Nail in the Tree:  Essays on Art, Violence, and Childhood (2020), all available from Tupelo Press. The daughter of one of the NASA engineers who returned the Apollo 13 crew from the moon, she grew […]<\/p>\n","protected":false},"author":3,"featured_media":11665,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-11637","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=11637"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11637\/revisions"}],"predecessor-version":[{"id":11666,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11637\/revisions\/11666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/11665"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=11637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=11637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=11637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}