{"id":11563,"date":"2020-02-25T13:17:43","date_gmt":"2020-02-25T14:17:43","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/bob-holman\/"},"modified":"2020-02-25T15:13:39","modified_gmt":"2020-02-25T15:13:39","slug":"bob-holman","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/bob-holman\/","title":{"rendered":"Bob Holman"},"content":{"rendered":"

\"\"Featured in a Henry Louis Gates, Jr. profile in The New Yorker, crowned “Ringmaster of the Spoken Word” by the New York Daily News, Bob Holman has performed his poems with a punk band in Kiev, a griot in Timbuktu, a ballet company in San Francisco. As the original Slam Master of the Nuyorican Poets Cafe, creator of the world’s first spoken word record label, Mouth Almighty\/Mercury, and the founder of the Bowery Poetry Club, Holman has played a central role in the spoken word and slam poetry movements of the last several decades.<\/p>\n

He is the author of 17 poetry collections, A Couple of Ways of Doing Something (Aperture, a c\"\"ollaboration with Chuck Close), and has taught at Princeton, Columbia, NYU, Bard, and The New School. A co-founder of the Endangered Language Alliance, Holman’s study of hip-hop and West African oral traditions led to his current work with endangered languages.<\/p>\n

He is the producer\/host of films including “The United States of Poetry” and “Language Matters with Bob Holman,” both nationally broadcast on PBS.<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Featured in a Henry Louis Gates, Jr. profile in The New Yorker, crowned “Ringmaster of the Spoken Word” by the New York Daily News, Bob Holman has performed his poems with a punk band in Kiev, a griot in Timbuktu, a ballet company in San Francisco. As the original Slam Master of the Nuyorican Poets […]<\/p>\n","protected":false},"author":3,"featured_media":11587,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-11563","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=11563"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11563\/revisions"}],"predecessor-version":[{"id":11588,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11563\/revisions\/11588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/11587"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=11563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=11563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=11563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}