{"id":11420,"date":"2020-02-12T16:48:09","date_gmt":"2020-02-12T17:48:09","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/m-evelina-galang\/"},"modified":"2020-02-12T18:10:15","modified_gmt":"2020-02-12T18:10:15","slug":"m-evelina-galang","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/m-evelina-galang\/","title":{"rendered":"M. Evelina Galang"},"content":{"rendered":"

\"\"M. Evelina Galang<\/a> is the author of the story collection Her Wild American Self<\/em> (Coffee House Press, 1996), novels One Tribe<\/em> (New Issues Press, 2006) and Angel De La Luna<\/em> and the Fifth Glorious Mystery<\/em> (Coffee House Press, 2013), the nonfiction work Lolas’ House<\/em>: Filipino Women Living With War<\/em> (Curbstone Books, 2017), and the editor of Screaming Monkeys<\/em>: Critiques of Asian American Images<\/em> (Coffee House Press, 2003).<\/p>\n

Among her numerous awards are the 2004 Association of Writers & Writing Programs (AWP) Prize for the Novel, the 2007 Global Filipino Literary Award for ONE TRIBE, the 2004 Gustavus Myers Outstanding Book Awards Advancing Human Rights, and a 2002 Senior Research Fellowship from Fulbright. Galang teaches in the MFA Creative Writing Program at the University of Miami and is core faculty and President of the Board of Voices of Our Nations Arts Foundation (VONA\/Voices)<\/a>.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

M. Evelina Galang is the author of the story collection Her Wild American Self (Coffee House Press, 1996), novels One Tribe (New Issues Press, 2006) and Angel De La Luna and the Fifth Glorious Mystery (Coffee House Press, 2013), the nonfiction work Lolas’ House: Filipino Women Living With War (Curbstone Books, 2017), and the editor of Screaming Monkeys: Critiques of Asian American Images (Coffee House Press, 2003). Among her […]<\/p>\n","protected":false},"author":3,"featured_media":11438,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-11420","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=11420"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11420\/revisions"}],"predecessor-version":[{"id":11439,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11420\/revisions\/11439"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/11438"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=11420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=11420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=11420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}