{"id":11158,"date":"2020-01-02T23:59:12","date_gmt":"2020-01-03T00:59:12","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/splinters\/"},"modified":"2020-01-03T01:17:46","modified_gmt":"2020-01-03T01:17:46","slug":"splinters","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/splinters\/","title":{"rendered":"Splinters"},"content":{"rendered":"<p>&ldquo;One line plus one line results in many meanings.&rdquo; -Josef Albers<\/p>\n<p>One line on a page can be many things. It can be a beginning, it can be a finished product, it can be an accident or the unintended result of an entirely detached action. In life, every thought, gesture, phrase, intention, reception, each breath has unlimited potential. At any given moment, there are a multitude of doors before us behind which stand the infinite paths in which our fate may twist. We control this to some extent, but there are so many pieces of the puzzle that fall into place without our bidding &ndash; at times in direct contrast to our wishes.<\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/peggie-batia-lowenberg\/\" target=\"_blank\" rel=\"noopener noreferrer\">Peggie &ldquo;Batia&rdquo; Lowenberg<\/a> lives and works in Florida. Batia hails from the East Village in New York City but spent 18 years living in Israel after a spiritual awakening. The call to be near her aging mother brought her back to the U.S. where she settled in Boca Raton. Batia sees a fresh and exciting growing interest in the role of the arts in communities and the way in which art and artists can help local economies flourish. In her own practice, Batia does a range of things. One current project is a private commission although much of her art is in the area of public art. To hear more from Batia about her own work, her observations of the culture of art and how it fits into communities today and much more, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/peggie-batia-lowenberg\/\" target=\"_blank\" rel=\"noopener noreferrer\">listen to the complete interview<\/a>.<\/p>\n<p><a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/dick-nelson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dick Nelson<\/a> is an artist and educator. He taught himself cartooning in high school before arriving at art school. By the end of four years of art school, he had left cartooning behind and began to develop his own artistic practice. Following art school, he taught at the largest prep school in the country. During a sabbatical year, Nelson found his way to Yale where he took the Josef Albers color course which significantly influenced his art. Nelson says his life and influences would be totally different had he not had the experience he did with Albers. To hear more about Dick Nelson&rsquo;s long and interesting career in art and education, as well as a discussion of those who have impacted and influenced him along the way, <a href=\"https:\/\/museumofnonvisibleart.com\/interviews\/dick-nelson\/\" target=\"_blank\" rel=\"noopener noreferrer\">listen to the complete interview<\/a>.<\/p>\n<p>A Few Words to Keep in your Pocket:<\/p>\n<p>Life is a marvel of unlimited possibility.<\/p>\n<p>It is during these days of the calendar that each of us has the opportunity to connect ourselves to the greater good, whether in ways large or small, and make the world a better place than when we found it.<\/p>\n<p>Interviews are available on <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/interviews-by-brainard-carey\/id1468502583?mt=2&amp;ls=1\">iTunes as podcasts<\/a>, and for<a href=\"http:\/\/subscribeonandroid.com\/museumofnonvisibleart.com\/interviews\/feed\/podcast\/\" data-cke-saved-href=\"http:\/\/subscribeonandroid.com\/museumofnonvisibleart.com\/interviews\/feed\/podcast\/\">&nbsp;Android please click here<\/a>. All weekly essay pieces in a shareable format<a href=\"https:\/\/blog.praxiscenterforaesthetics.com\/\" data-cke-saved-href=\"https:\/\/blog.praxiscenterforaesthetics.com\/\">&nbsp;are here<\/a>. The full archive of<a href=\"http:\/\/museumofnonvisibleart.com\/interviews\/\" data-cke-saved-href=\"http:\/\/museumofnonvisibleart.com\/interviews\/\">&nbsp;interviews here<\/a>.<\/p>\n<p>Books to Read<\/p>\n<p>What are you reading?<a href=\"http:\/\/museumofnonvisibleart.com\/interviews\/reading\/\" data-cke-saved-href=\"http:\/\/museumofnonvisibleart.com\/interviews\/reading\/\">&nbsp;Add your titles to our reading list here<\/a>. Peggy &ldquo;Batia&rdquo; Lowenberg is reading <a href=\"https:\/\/www.goodreads.com\/en\/book\/show\/31421117\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Tears We Cannot Stop: A Sermon to White America<\/em><\/a> by Michael Eric Dyson. Dick Nelson spoke about <em><a href=\"https:\/\/yalebooks.yale.edu\/book\/9780300179354\/interaction-color\" target=\"_blank\" rel=\"noopener noreferrer\">Interaction of Color<\/a>&nbsp;<\/em>by Josef Albers, a book for which he wrote a critique that was never published. Those wishing to read Nelson&rsquo;s critique may contact him directly.<\/p>\n<p>Deadlines<\/p>\n<p><a href=\"http:\/\/www.fondazioneratti.org\/news\/303\/open_call_xxv_csav_artists_research_laboratory\" target=\"_blank\" rel=\"noopener noreferrer\">CSAV &ndash; Artist Research Laboratory<\/a>&nbsp;is currently accepting submissions to an open call for the upcoming&nbsp;<em>Casual Loops and Squiggles<\/em>. This event brings together artists and curators and seeks to observe how this pairing influences the workshop. &ldquo;CSAV &ndash; Artists&rsquo; Research Laboratory&nbsp;is an experimental platform designed to provoke formal and informal discussions and exchanges between artists of different generations and nationalities.&nbsp;It aims to explore different forms of artistic creation through non-institutional teaching methods.&rdquo; For more details and to apply,&nbsp;<a href=\"http:\/\/www.fondazioneratti.org\/news\/303\/open_call_xxv_csav_artists_research_laboratory\" target=\"_blank\" rel=\"noopener noreferrer\">visit the website.<\/a>&nbsp;Deadline is&nbsp;<strong>January 30<\/strong>.<\/p>\n<p>Weekly Edited Grant and Residency Deadlines &ndash;<a href=\"https:\/\/blog.praxiscenterforaesthetics.com\/resources-for-artists\/\" data-cke-saved-href=\"https:\/\/blog.praxiscenterforaesthetics.com\/resources-for-artists\/\">&nbsp;review the list here.<\/a><\/p>\n<p>&mdash;<\/p>\n<p><span>Brainard Carey is an author, artist and educator. He is the director of Praxis Center for Aesthetics. He has written six books for artists; <\/span><a href=\"https:\/\/www.amazon.com\/dp\/1581158688\/ref=cm_sw_em_r_mt_dp_U_arYzCb3YJ01JM\"><span>Making it in the Art World<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.amazon.com\/dp\/1581159137\/ref=cm_sw_em_r_mt_dp_U_zqYzCbTX8A5YP\"><span>New Markets for Artists<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.amazon.com\/dp\/1621534847\/ref=cm_sw_em_r_mt_dp_U_XpYzCbX1SZ2XV\"><span>The Art World Demystified<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.amazon.com\/dp\/1621536483\/ref=cm_sw_em_r_mt_dp_U_ipYzCb16HQVRX\"><span>Fund Your Dreams Like a Creative Genius<\/span><\/a><span>, <\/span><a href=\"https:\/\/www.amazon.com\/dp\/1621536491\/ref=cm_sw_em_r_mt_dp_U_kSXzCbQXFM45R\"><span>Sell Online Like a Creative Genius<\/span><\/a><span> and <\/span><a href=\"https:\/\/www.amazon.com\/dp\/162153698X\/ref=cm_sw_em_r_mt_dp_U_NrYzCbJN5J85T\"><span>Succeed with Social Media Like a Creative Genius<\/span><\/a><span>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&ldquo;One line plus one line results in many meanings.&rdquo; -Josef Albers One line on a page can be many things. It can be a beginning, it can be a finished product, it can be an accident or the unintended result of an entirely detached action. In life, every thought, gesture, phrase, intention, reception, each breath [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11160,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-11158","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-career","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=11158"}],"version-history":[{"count":1,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11158\/revisions"}],"predecessor-version":[{"id":11159,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/11158\/revisions\/11159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/11160"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=11158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=11158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=11158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}