{"id":10323,"date":"2019-10-04T03:02:51","date_gmt":"2019-10-04T03:02:51","guid":{"rendered":"https:\/\/museumofnonvisibleart.com\/authorsite\/forrest-gander\/"},"modified":"2019-10-04T03:11:03","modified_gmt":"2019-10-04T03:11:03","slug":"forrest-gander","status":"publish","type":"post","link":"https:\/\/museumofnonvisibleart.com\/authorsite\/forrest-gander\/","title":{"rendered":"Forrest Gander"},"content":{"rendered":"
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photo by Ashwini Bhat<\/figcaption><\/figure>\n

Forrest Gander<\/a>, a writer and translator with degrees in geology and literature, was born in the Mojave Desert, grew up in Virginia, and taught at Harvard and, for many years, Brown University.<\/p>\n

Among Gander’s most recent books are Be With<\/i><\/a>, winner of the 2019 Pulitzer Prize, the novel The Trace<\/i><\/a>, and Eiko & Koma. <\/i>Gander’s recent translations include Alice Iris Red Horse: Poems by Gozo Yoshimasu<\/i><\/a> and, with Patricio Ferrari, The Galloping Hour: French Poems of Alejandra Pizarnik.<\/i><\/p>\n

He has a history of collaborating with artists such as Ann Hamilton, Sally Mann, Graciela Iturbide, and Vic Chesnutt. The recipient of grants from the Library of Congress, the Guggenheim, Howard, Whiting and United States Artists Foundations, Gander lives in northern California.<\/p>\n

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https:\/\/forrestgander.com\/Books\/Be-with-general.html<\/figcaption><\/figure>\n
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https:\/\/www.ndbooks.com\/book\/the-trace\/<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

photo by Ashwini Bhat Forrest Gander, a writer and translator with degrees in geology and literature, was born in the Mojave Desert, grew up in Virginia, and taught at Harvard and, for many years, Brown University. Among Gander’s most recent books are Be With, winner of the 2019 Pulitzer Prize, the novel The Trace, and […]<\/p>\n","protected":false},"author":3,"featured_media":10345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-10323","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interview","8":"entry"},"_links":{"self":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/10323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/comments?post=10323"}],"version-history":[{"count":2,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/10323\/revisions"}],"predecessor-version":[{"id":10346,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/posts\/10323\/revisions\/10346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media\/10345"}],"wp:attachment":[{"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/media?parent=10323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/categories?post=10323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/museumofnonvisibleart.com\/authorsite\/wp-json\/wp\/v2\/tags?post=10323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}